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Heart of Practice : within the Workcenter of Jerzy Grotowski and Thomas Richards / Thomas Richards

Public ISBD Titre : Heart of Practice : within the Workcenter of Jerzy Grotowski and Thomas Richards Type de document : texte imprimé Auteurs : Thomas Richards (1962-....), Auteur ; Lisa Wolford, Intervieweur ; Tatiana Motta Lima, Intervieweur ; Kris Salata, Intervieweur Editeur : USA : Routledge Année de publication : 2008 Importance : 216 Pages Présentation : ill. coul. et n&b Format : 23.5 x 15.5 cm ISBN/ISSN/EAN : 978-0-415-44148-3 Note générale : Heart of Practice is a unique and invaluable insight into the workings of one of theatre’s true pioneers, presented by his closest collaborator. This book charts the development of Grotowski’s dramatic research through a decade of conversations with his apprentice, Thomas Richards. Tuscany’s ‘Workcenter of Jerzy Grotowski and Thomas Richards’ is the enduring legacy of a master teacher, director and theorist, and home to much of Grotowski’s most significant work. Interviewed by leading scholars, and offering his own intimate accounts, Richards gives a vivid and detailed view of the Workcenter’s evolution, providing: concrete illustration of the Workcenter’s distinctive creative practices rigorous discussion of over twenty years of world-renowned research previously unpublished performance photos privileged insight into what Grotowski considered to be the culmination of his life’s work. Langues : Anglais (eng) Catégories : Acteurs Metteur en scène Pédagogie et théâtre Théâtre -- Étude et enseignement Mots-clés : don hainaux  USA  méthode  anglais Note de contenu : 1. The Edge-Point of Performance – Interviewer Lisa Wolford 2. You Can’t Hold it in your Hands – Interviewer Tatiana Motta Lima 3. In the Territory of Something Third – Interviewer Kris Salata Heart of Practice : within the Workcenter of Jerzy Grotowski and Thomas Richards [texte imprimé] / Thomas Richards (1962-....), Auteur ; Lisa Wolford, Intervieweur ; Tatiana Motta Lima, Intervieweur ; Kris Salata, Intervieweur . - USA (New York) : Routledge, 2008 . - 216 Pages : ill. coul. et n&b ; 23.5 x 15.5 cm. ISBN : 978-0-415-44148-3 Heart of Practice is a unique and invaluable insight into the workings of one of theatre’s true pioneers, presented by his closest collaborator. This book charts the development of Grotowski’s dramatic research through a decade of conversations with his apprentice, Thomas Richards. Tuscany’s ‘Workcenter of Jerzy Grotowski and Thomas Richards’ is the enduring legacy of a master teacher, director and theorist, and home to much of Grotowski’s most significant work. Interviewed by leading scholars, and offering his own intimate accounts, Richards gives a vivid and detailed view of the Workcenter’s evolution, providing: concrete illustration of the Workcenter’s distinctive creative practices rigorous discussion of over twenty years of world-renowned research previously unpublished performance photos privileged insight into what Grotowski considered to be the culmination of his life’s work. Langues : Anglais (eng) Catégories : Acteurs Metteur en scène Pédagogie et théâtre Théâtre -- Étude et enseignement Mots-clés : don hainaux  USA  méthode  anglais Note de contenu : 1. The Edge-Point of Performance – Interviewer Lisa Wolford 2. You Can’t Hold it in your Hands – Interviewer Tatiana Motta Lima 3. In the Territory of Something Third – Interviewer Kris Salata

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Film Music / Kenneth Lampl 

Public ISBD Titre : Film Music : the basics Type de document : texte imprimé Auteurs : Kenneth Lampl, Auteur Editeur : USA : Routledge Année de publication : cop. 2024 Importance : 1 vol. (143 p.) Format : 24 cm ISBN/ISSN/EAN : 978-1-03-226745-6 Prix : 30,00€ Note générale : A comprehensive introduction to film music, this book provides a concise and illuminating summary of the process of film scoring, as well as a succinct overview of the rich history of contemporary film music. Written in a non-technical style, this book begins by presenting a brief history of film music from the last 30 years, covering topics ranging from blockbuster franchises to indie film scores. It explores film music from around the world, including Bollywood and European Avant-garde cinema, and film music in animation, like Disney-Pixar and Japanese anime. It then offers a guide to the language of film music analysis, the creative process behind composing film music, and the use of current technology. The book champions diversity in the industry, with case studies and interviews from a range of active film composers, including: Pinar Toprak (Captain Marvel, 2019), Kris Bowers (Bridgerton, 2020), Natalie Holt (Loki, 2021), and Rachel Portman (Emma, 1996), Complete with a glossary of key terms and further reading, this book is an invaluable resource for all those beginning to study film music, as well as lifelong film music buffs seeking to update their understanding of film music. Langues : Anglais (eng) Catégories : Musique Musique de film Mots-clés : film music  film scoring Note de contenu : 1. The History of Film Music in Hollywood 2. Film Music from Around the World 3. The History of Music for Animation 4. The Language of Film Music 5. The Creative Team 6. The Creative Process 7. Technology and Creativity 8. The Future of Film Scoring: An Introduction to Video Game Music (co-authored by Thomas Connell) 9. The Future of Film Scoring: The Trilogy, the Series and the Franchise 10. New Voices in Film Music: the Interviews 11. Glossary of Terms and Bibliography En ligne : https://www.routledge.com/Film-Music-The-Basics/Lampl/p/book/9781032267456 Film Music : the basics [texte imprimé] / Kenneth Lampl, Auteur . - USA (New York) : Routledge, cop. 2024 . - 1 vol. (143 p.) ; 24 cm. ISBN : 978-1-03-226745-6 : 30,00€ A comprehensive introduction to film music, this book provides a concise and illuminating summary of the process of film scoring, as well as a succinct overview of the rich history of contemporary film music. Written in a non-technical style, this book begins by presenting a brief history of film music from the last 30 years, covering topics ranging from blockbuster franchises to indie film scores. It explores film music from around the world, including Bollywood and European Avant-garde cinema, and film music in animation, like Disney-Pixar and Japanese anime. It then offers a guide to the language of film music analysis, the creative process behind composing film music, and the use of current technology. The book champions diversity in the industry, with case studies and interviews from a range of active film composers, including: Pinar Toprak (Captain Marvel, 2019), Kris Bowers (Bridgerton, 2020), Natalie Holt (Loki, 2021), and Rachel Portman (Emma, 1996), Complete with a glossary of key terms and further reading, this book is an invaluable resource for all those beginning to study film music, as well as lifelong film music buffs seeking to update their understanding of film music. Langues : Anglais (eng) Catégories : Musique Musique de film Mots-clés : film music  film scoring Note de contenu : 1. The History of Film Music in Hollywood 2. Film Music from Around the World 3. The History of Music for Animation 4. The Language of Film Music 5. The Creative Team 6. The Creative Process 7. Technology and Creativity 8. The Future of Film Scoring: An Introduction to Video Game Music (co-authored by Thomas Connell) 9. The Future of Film Scoring: The Trilogy, the Series and the Franchise 10. New Voices in Film Music: the Interviews 11. Glossary of Terms and Bibliography En ligne : https://www.routledge.com/Film-Music-The-Basics/Lampl/p/book/9781032267456

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Film Music Analysis / Frank Lehman 

Public ISBD Titre : Film Music Analysis : Studying the Score Type de document : texte imprimé Auteurs : Frank Lehman, Auteur Editeur : USA : Routledge Année de publication : cop. 2024 Importance : 1 vol. (286 p.) Format : 24 cm ISBN/ISSN/EAN : 978-0-367-43076-4 Prix : 42,00€ Note générale : Since the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory. Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music. Langues : Anglais (eng) Catégories : Analyse d'oeuvres Analyse musicale Musique Musique de film Mots-clés : film music  Film music analysis Note de contenu : Foreword Introduction: Film and Music, Theory and Analysis Frank Lehman 1. Timbre in Film Music – Making Magic through Tone Color : Chelsea Oden 2. “The Click Is Your Friend”: Film Scores and Tempo Analysis : Rebecca M. Doran Eaton 3. Tracking Progressions of Heroic Chord Progressions in Recent Popular Screen Media : Scott Murphy 4. John Williams’ Star Wars Themes: Good vs. Evil Conflicts as a Structural Principal for Leitmotifs : Mark Richards 5. Topic Theory and Film: Coming of Age in 1994’s and 2019’s Little Women : Janet Bourne 6. A Matter of Time: Reality and Fantasy through Metrical Analysis in Contemporary Hollywood Film : Andrew S. Powell 7. Film Music and Dialogic Form : Charity Lofthouse 8. Tonal Analysis of the Integrated Soundtrack: Music, Sound, and Dialogue in Baby Driver : Táhirih Motazedian 9. Analyzing Musical Metamorphoses: Thematic Transformation in Shirley Walker's Batman : Frank Lehman 10. Post-Tonal Theory and Hollywood Scores: Three Analytical Vignettes : Erik Heine 11. Attuning Serialism: David Shire’s Scores for The Taking of Pelham One Two Three, 2010: The Year We Made Contact, and Zodiac : Juan Chattah 12. Romance and the Two Poles of Underscore : James Buhler Notes on Contributors Index En ligne : https://www.routledge.com/Film-Music-Analysis-Studying-the-Score/Lehman/p/book/9 [...] Film Music Analysis : Studying the Score [texte imprimé] / Frank Lehman, Auteur . - USA (New York) : Routledge, cop. 2024 . - 1 vol. (286 p.) ; 24 cm. ISBN : 978-0-367-43076-4 : 42,00€ Since the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory. Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music. Langues : Anglais (eng) Catégories : Analyse d'oeuvres Analyse musicale Musique Musique de film Mots-clés : film music  Film music analysis Note de contenu : Foreword Introduction: Film and Music, Theory and Analysis Frank Lehman 1. Timbre in Film Music – Making Magic through Tone Color : Chelsea Oden 2. “The Click Is Your Friend”: Film Scores and Tempo Analysis : Rebecca M. Doran Eaton 3. Tracking Progressions of Heroic Chord Progressions in Recent Popular Screen Media : Scott Murphy 4. John Williams’ Star Wars Themes: Good vs. Evil Conflicts as a Structural Principal for Leitmotifs : Mark Richards 5. Topic Theory and Film: Coming of Age in 1994’s and 2019’s Little Women : Janet Bourne 6. A Matter of Time: Reality and Fantasy through Metrical Analysis in Contemporary Hollywood Film : Andrew S. Powell 7. Film Music and Dialogic Form : Charity Lofthouse 8. Tonal Analysis of the Integrated Soundtrack: Music, Sound, and Dialogue in Baby Driver : Táhirih Motazedian 9. Analyzing Musical Metamorphoses: Thematic Transformation in Shirley Walker's Batman : Frank Lehman 10. Post-Tonal Theory and Hollywood Scores: Three Analytical Vignettes : Erik Heine 11. Attuning Serialism: David Shire’s Scores for The Taking of Pelham One Two Three, 2010: The Year We Made Contact, and Zodiac : Juan Chattah 12. Romance and the Two Poles of Underscore : James Buhler Notes on Contributors Index En ligne : https://www.routledge.com/Film-Music-Analysis-Studying-the-Score/Lehman/p/book/9 [...]

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
1015530	781.4 FIL LEH	Livre	Bibliothèque ARTS². Musique	Bibliothèque de classe : Y. Gourmeur MAI	Sorti jusqu'au 30/06/2026