Catalogue en ligne des bibliothèques ARTS²
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Éditeur Musikverlag Hans Sikorski
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Ajouter le résultat dans votre panier Faire une suggestion Affiner la rechercheDe profundis für bajan solo / Sofia Gubaidulina
Titre : De profundis für bajan solo : for bayan solo Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S.8742 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 1991 Importance : 1 partition (15 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-304099-8 Prix : 23,40€ Note générale : In one movement. With performance notes in German and English. The bayan is a kind of Russian accordion. Of advanced difficulty. Duration ca. 12 minutes. Langues : Anglais (eng) Allemand (ger) Catégories : Accordéon
bajanRésumé : In the field of New Music, Sofia Gubaidulina's “De profundis” has already achieved the status of a classic. It is not only an attainment of the New Music that instruments are capable of approaching the human voice in their sound, or that they can imitate areas of expression found in language and linguistic articulation. But the avant-garde has surely expanded the spectrum to a considerable extent. The piece for solo bayan is an impressive example of this. The listener witnesses a slow and inexorable intensification from the “rattling” of the lowest accordion register up to the pure, tender tones of the highest register. It is “anascent from the lowest to the highest, from the breath and soul to the world's soul or wisdom”, as Gubaidulina's friend and colleague Viktor Suslin once expressed it. With the means of sound, Gubaidulina transfers a symbol of life onto the music: breathing. Breathing distinguishes the living from the dead. What other instrument, other than the winds, perhaps, could better lendexpression to this characteristic than the accordion? In contrast to the wind instruments, however, the accordion is not an instrument into which the player breathes and creates breathing sounds - instead, the instrument itself assumes this function. It breathes through the pulling apart and pressing together of the bellows. As the basis of her composition, Gubaidulina chose the lines of the Psalm 130 “From the depths, o Lord, I call to you” for the characterisation of her interlaced message. Shadowy chorale melodies are occasionally heard, but the fundamental idea of ascent remains decisive. Sharp insertions and expressive gestures, intrusive glissandi and nervous vibrati repeatedly disturb the direction of movement. And then we hear consciously the integrated breathing of the instrument - breathing slightly, hardly audible, opposing the powerful chord blocks. The musicologist Valentina Cholopova once said of this: “All these sounds confront solemn chords richly ornamented with figurations, but there is also a long, monodic melody running through the entire symbolic path of the work - from the depths all the way up to the brilliant heights.” The work is dedicated to Friedrich Lips! Instruments : 1 bayan solo De profundis für bajan solo : for bayan solo [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur . - H.S.8742 . - Hamburg : Musikverlag Hans Sikorski, cop. 1991 . - 1 partition (15 p.) ; 30 cm.
ISBN : 979-0-00-304099-8 : 23,40€
In one movement. With performance notes in German and English. The bayan is a kind of Russian accordion. Of advanced difficulty. Duration ca. 12 minutes.
Langues : Anglais (eng) Allemand (ger)
Catégories : Accordéon
bajanRésumé : In the field of New Music, Sofia Gubaidulina's “De profundis” has already achieved the status of a classic. It is not only an attainment of the New Music that instruments are capable of approaching the human voice in their sound, or that they can imitate areas of expression found in language and linguistic articulation. But the avant-garde has surely expanded the spectrum to a considerable extent. The piece for solo bayan is an impressive example of this. The listener witnesses a slow and inexorable intensification from the “rattling” of the lowest accordion register up to the pure, tender tones of the highest register. It is “anascent from the lowest to the highest, from the breath and soul to the world's soul or wisdom”, as Gubaidulina's friend and colleague Viktor Suslin once expressed it. With the means of sound, Gubaidulina transfers a symbol of life onto the music: breathing. Breathing distinguishes the living from the dead. What other instrument, other than the winds, perhaps, could better lendexpression to this characteristic than the accordion? In contrast to the wind instruments, however, the accordion is not an instrument into which the player breathes and creates breathing sounds - instead, the instrument itself assumes this function. It breathes through the pulling apart and pressing together of the bellows. As the basis of her composition, Gubaidulina chose the lines of the Psalm 130 “From the depths, o Lord, I call to you” for the characterisation of her interlaced message. Shadowy chorale melodies are occasionally heard, but the fundamental idea of ascent remains decisive. Sharp insertions and expressive gestures, intrusive glissandi and nervous vibrati repeatedly disturb the direction of movement. And then we hear consciously the integrated breathing of the instrument - breathing slightly, hardly audible, opposing the powerful chord blocks. The musicologist Valentina Cholopova once said of this: “All these sounds confront solemn chords richly ornamented with figurations, but there is also a long, monodic melody running through the entire symbolic path of the work - from the depths all the way up to the brilliant heights.” The work is dedicated to Friedrich Lips! Instruments : 1 bayan solo Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1014936 8-ACC GUB PRO Partition musicale Bibliothèque ARTS². Musique Partitions musicales Disponible
Titre : Et exspecto sonate für bajan solo : sonata for bayan solo Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S.8743 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 1991 Collection : Exempla Nova num. 543 Importance : 1 partition (23 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-304100-1 Prix : 27,60€ Note générale : Durée : 17 minutes Langues : Anglais (eng) Allemand (ger) Catégories : Accordéon
bajanRésumé : Sofia Gubaidulina’s frequently performed solo piece “Et exspecto” for bayan solo was composed in 1986. Like many other works by this profoundly religious composer, this one has a close connection to the Christian faith. With “Et exspecto”, Sofia Gubaidulina also refers to the second coming of Jesus Christ. Two sonic spheres come together in this work, now being published in the “exempla nova” series - a tonal chorale is confronted by blocks of clusters. The composer maintains this chorale in the first four movements; it is only absent from the fifth and final movement. What can be sensed by all listeners is the increasingly dissonant spectrum over the course of this composition, in which the noise of the air button on the Russian button-action bayan plays an important role.
Sofia Gubaidulina has dedicated her Sonata for bayan solo to the editor Friedrich Lips.Instruments : 1 bayan solo Et exspecto sonate für bajan solo : sonata for bayan solo [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur . - H.S.8743 . - Musikverlag Hans Sikorski, cop. 1991 . - 1 partition (23 p.) ; 30 cm. - (Exempla Nova; 543) .
ISBN : 979-0-00-304100-1 : 27,60€
Durée : 17 minutes
Langues : Anglais (eng) Allemand (ger)
Catégories : Accordéon
bajanRésumé : Sofia Gubaidulina’s frequently performed solo piece “Et exspecto” for bayan solo was composed in 1986. Like many other works by this profoundly religious composer, this one has a close connection to the Christian faith. With “Et exspecto”, Sofia Gubaidulina also refers to the second coming of Jesus Christ. Two sonic spheres come together in this work, now being published in the “exempla nova” series - a tonal chorale is confronted by blocks of clusters. The composer maintains this chorale in the first four movements; it is only absent from the fifth and final movement. What can be sensed by all listeners is the increasingly dissonant spectrum over the course of this composition, in which the noise of the air button on the Russian button-action bayan plays an important role.
Sofia Gubaidulina has dedicated her Sonata for bayan solo to the editor Friedrich Lips.Instruments : 1 bayan solo Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1014937 8-ACC GUB ETE Partition musicale Bibliothèque ARTS². Musique Partitions musicales Disponible
Titre : Toccata und Serenade für Gitarre solo Titre original : Toccata and Serenade for solo guitar Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S. 8827 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 2016 Importance : 1 partition ¨[(4 p.)] Format : 30 cm ISBN/ISSN/EAN : 979-0-00-304142-1 Prix : 18,90€ Langues : Allemand (ger) Anglais (eng) Catégories : Guitare Note de contenu : 1. Toccata (1969)
2. Serenade (1969)Instruments : 1 guitare solo Toccata und Serenade für Gitarre solo = Toccata and Serenade for solo guitar [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur . - H.S. 8827 . - Hamburg : Musikverlag Hans Sikorski, cop. 2016 . - 1 partition ¨[(4 p.)] ; 30 cm.
ISBN : 979-0-00-304142-1 : 18,90€
Langues : Allemand (ger) Anglais (eng)
Catégories : Guitare Note de contenu : 1. Toccata (1969)
2. Serenade (1969)Instruments : 1 guitare solo Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1015145 8-GUI GUB TOC Partition musicale Bibliothèque ARTS². Musique Partitions musicales Disponible 
Titre : Repetance für Violoncello, drei Gitarren und Kontrabass Titre original : Repetance for violoncello, three guitars and double bass Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S. 8781 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 2014 Importance : 1 partition (38 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-304045-5 Prix : 39,90€ Note générale : Durée : 25 minutes Langues : Allemand (ger) Anglais (eng) Catégories : Contrebasse
Ensemble de musique de chambre
Guitare
Musique de chambre
Quintette
VioloncelleInstruments : 3 guitares + 1 violoncelle + 1 contrebasse En ligne : https://www.stretta-music.be/fr/gubaidulina-repentance-nr-623067.html Repetance für Violoncello, drei Gitarren und Kontrabass = Repetance for violoncello, three guitars and double bass [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur . - H.S. 8781 . - Hamburg : Musikverlag Hans Sikorski, cop. 2014 . - 1 partition (38 p.) ; 30 cm.
ISBN : 979-0-00-304045-5 : 39,90€
Durée : 25 minutes
Langues : Allemand (ger) Anglais (eng)
Catégories : Contrebasse
Ensemble de musique de chambre
Guitare
Musique de chambre
Quintette
VioloncelleInstruments : 3 guitares + 1 violoncelle + 1 contrebasse En ligne : https://www.stretta-music.be/fr/gubaidulina-repentance-nr-623067.html Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1015146 8-X GUB REP Partition musicale Bibliothèque ARTS². Musique Partitions de poche Disponible
Titre : Sotto voce für Viola, Kontrabass und 2 Gitarren : Studienpartitiur / study score Titre original : Sotto voce for viola, double bass and two guitars Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S.8782 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 2014 Importance : 1 partition (58 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-304046-2 Prix : 49,90€ Note générale : Durée : 22 minutes Langues : Allemand (ger) Anglais (eng) Catégories : Alto (violon)
Contrebasse
Ensemble de musique de chambre
Guitare
Musique de chambre
Quatuor
Quatuor à cordesInstruments : 1 alto + 1 contrebasse + 2 guitares En ligne : https://www.stretta-music.be/en/gubaidulina-sotto-voce-fuer-viola-kontrabass-und [...] Sotto voce für Viola, Kontrabass und 2 Gitarren = Sotto voce for viola, double bass and two guitars : Studienpartitiur / study score [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur . - H.S.8782 . - Hamburg : Musikverlag Hans Sikorski, cop. 2014 . - 1 partition (58 p.) ; 30 cm.
ISBN : 979-0-00-304046-2 : 49,90€
Durée : 22 minutes
Langues : Allemand (ger) Anglais (eng)
Catégories : Alto (violon)
Contrebasse
Ensemble de musique de chambre
Guitare
Musique de chambre
Quatuor
Quatuor à cordesInstruments : 1 alto + 1 contrebasse + 2 guitares En ligne : https://www.stretta-music.be/en/gubaidulina-sotto-voce-fuer-viola-kontrabass-und [...] Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1015148 8-X GUB SOT Partition musicale Bibliothèque ARTS². Musique Partitions de poche Disponible
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