Catalogue en ligne des bibliothèques ARTS²
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L'art comme langage du changement / Jean Dierkens
Titre : L'art comme langage du changement Type de document : texte imprimé Auteurs : Jean Dierkens, Directeur de publication, rédacteur en chef Editeur : Mons : Le Ciephum Année de publication : 1976 Collection : Cahiers internationaux de symbolisme num. 29-30 Importance : 1 vol. (215 p.) Langues : Français (fre) Catégories : Arts comparés (théâtre)
Cinéma
Littérature -- Esthétique
Symbolisme
VidéoL'art comme langage du changement [texte imprimé] / Jean Dierkens, Directeur de publication, rédacteur en chef . - Le Ciephum, 1976 . - 1 vol. (215 p.). - (Cahiers internationaux de symbolisme; 29-30) .
Langues : Français (fre)
Catégories : Arts comparés (théâtre)
Cinéma
Littérature -- Esthétique
Symbolisme
VidéoRéservation
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Exemplaires
Code-barres Cote Support Localisation Section Disponibilité 1040459 2.12 ART DIE 29-30 Livre Bibliothèque ARTS². Théâtre Documentaires Disponible
Titre : Garden of love : for flute or oboe + soundtrack and videos ad lib. Type de document : partition musicale imprimée Auteurs : Jacob Ter Veldhuis, Compositeur Editeur : DC Doorn [The Netherlands] : Boombox Année de publication : cop. 2021 Importance : 1 partition ([27] p.) Format : 30 cm Accompagnement : 1 CD Prix : 69,00€ Note générale : Durée : 7'16" Langues : Anglais (eng) Catégories : Flûte
Hautbois
Soundtrack
VidéoRésumé : Composed for oboist Bart Schneemann in March 2002 with support from the Dutch FPA , Garden of Love is based on a poem by William Blake. The audio track consists of sound bytes from speech, oboes, harpsichord, birds and electronic sounds. Garden of Love can be performed on soprano sax, Bb clarinet, flute, recorder,violin, xylophone or guitar. Visual artist Amber Boardman created a concert video that can be used for live performances and installations.
Garden of Love was recorded on CD by oboists Bart Schneemann and Irma Kort and by saxophonists Arno Bornkamp, Tim McAllister, Michael Nicollella and Emmanuel Graglia, who added a guitar part.Note de contenu : THE GARDEN OF LOVE
I went to the Garden of Love.
and saw what I never had seen:
A chapel was built in the midst,
where I used to play on the green.
And the gates of this chapel were shut,
and ‘Thou shalt not’ writ over the door;
So I turn’d to the Garden of Love,
that so many sweet flowers bore.
And I saw it was filled with graves,
and tomb-stones where flowers should be:
And priests in black gowns, were walking their rounds,
and binding with briars, my joys and desires.Instruments : 1 flûte ou 1 hautbois + soundtrack En ligne : https://www.jacobtv.net/product/garden-of-love/ Garden of love : for flute or oboe + soundtrack and videos ad lib. [partition musicale imprimée] / Jacob Ter Veldhuis, Compositeur . - DC Doorn (Drift 40, NL-3941, The Netherlands) : Boombox, cop. 2021 . - 1 partition ([27] p.) ; 30 cm + 1 CD.
69,00€
Durée : 7'16"
Langues : Anglais (eng)
Catégories : Flûte
Hautbois
Soundtrack
VidéoRésumé : Composed for oboist Bart Schneemann in March 2002 with support from the Dutch FPA , Garden of Love is based on a poem by William Blake. The audio track consists of sound bytes from speech, oboes, harpsichord, birds and electronic sounds. Garden of Love can be performed on soprano sax, Bb clarinet, flute, recorder,violin, xylophone or guitar. Visual artist Amber Boardman created a concert video that can be used for live performances and installations.
Garden of Love was recorded on CD by oboists Bart Schneemann and Irma Kort and by saxophonists Arno Bornkamp, Tim McAllister, Michael Nicollella and Emmanuel Graglia, who added a guitar part.Note de contenu : THE GARDEN OF LOVE
I went to the Garden of Love.
and saw what I never had seen:
A chapel was built in the midst,
where I used to play on the green.
And the gates of this chapel were shut,
and ‘Thou shalt not’ writ over the door;
So I turn’d to the Garden of Love,
that so many sweet flowers bore.
And I saw it was filled with graves,
and tomb-stones where flowers should be:
And priests in black gowns, were walking their rounds,
and binding with briars, my joys and desires.Instruments : 1 flûte ou 1 hautbois + soundtrack En ligne : https://www.jacobtv.net/product/garden-of-love/ Réservation
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Exemplaires
Code-barres Cote Support Localisation Section Disponibilité 1015153 8-FLU TER GAR Partition musicale Bibliothèque ARTS². Musique Partitions musicales Disponible
Titre : Grab it ! : tenorsax or bass clarinet + soundtrack. video ad lib. Type de document : partition musicale imprimée Auteurs : Jacob Ter Veldhuis, Compositeur Editeur : DC Doorn [The Netherlands] : Boombox Année de publication : 2010 Importance : 1 partition ([27] p.) Format : 30 cm Accompagnement : 1 CD Prix : 69,00€ Note générale :
GRAB IT! X12, XL, XXL
Duration 12:30
Duration 9:44
Originally composed for tenor sax in November 1999 for Arno Bornkamp with financial support from the Dutch PFA, worldpremiere at a concert called ‘Who’s afraid of…” at Vredenburg, Utrecht season 1999-2000. After a performance by Arno at the World Sax Congress in Montreal, July 2000, Grab it! became a repertoire piece for the tenor sax and was by request arranged for several other instruments and combinations.
Growing up in the 60s with blues, jazz and rock, American music had a strong impact on JacobTV. Language is one of the origins of music, which is for instance obvious in blues. In Grab it!, the ‘no-man’s-land’ between speech and music is explored. Speech becomes music, when people get emotional. Like crying and singing can become one…
Grab It! is based on speech samples from life-sentenced prisoners. Their verbal vitality and aggression matches the harsh sound of the tenor sax. Grab it! is a competing duet, a ‘battle’ if you like, for tenor sax and speech grooves in unison. The sax ‘competes’ with a non-stop range of syllables, words and one liners, demanding endurance from the performer. In jail suicide is not uncommon: ‘He tied one end around the pipe, and he hung himself. So he went out the back door rapped up in a green sheet with a tag on his toe….You lose everything!‘ But Grab it! is not just sad, but can also be understood as a ‘memento vivere’. Death row as a metaphor for life: Life is worth living. ‘Grab it!’
Grab it! XXL was commissioned by Willem Breuker for Dutch Music Days, Dec. 2003
Instrumentation: soloists, big band + string orchestra performed by Metropole Orchestra cond. Lucas Vis, starring Hans Dulfer.
A set of 2 concert videos contain videos by both M.Zegers and JacobTV/Jan Willem Looze and come as mp4 files via a link.Langues : Anglais (eng) Catégories : Clarinette basse
Saxophone ténor
Soundtrack
VidéoInstruments : 1 saxophone ténor ou 1 clarinette basse + soundtrack En ligne : https://www.jacobtv.net/product/grab-it/ Grab it ! : tenorsax or bass clarinet + soundtrack. video ad lib. [partition musicale imprimée] / Jacob Ter Veldhuis, Compositeur . - DC Doorn (Drift 40, NL-3941, The Netherlands) : Boombox, 2010 . - 1 partition ([27] p.) ; 30 cm + 1 CD.
69,00€
GRAB IT! X12, XL, XXL
Duration 12:30
Duration 9:44
Originally composed for tenor sax in November 1999 for Arno Bornkamp with financial support from the Dutch PFA, worldpremiere at a concert called ‘Who’s afraid of…” at Vredenburg, Utrecht season 1999-2000. After a performance by Arno at the World Sax Congress in Montreal, July 2000, Grab it! became a repertoire piece for the tenor sax and was by request arranged for several other instruments and combinations.
Growing up in the 60s with blues, jazz and rock, American music had a strong impact on JacobTV. Language is one of the origins of music, which is for instance obvious in blues. In Grab it!, the ‘no-man’s-land’ between speech and music is explored. Speech becomes music, when people get emotional. Like crying and singing can become one…
Grab It! is based on speech samples from life-sentenced prisoners. Their verbal vitality and aggression matches the harsh sound of the tenor sax. Grab it! is a competing duet, a ‘battle’ if you like, for tenor sax and speech grooves in unison. The sax ‘competes’ with a non-stop range of syllables, words and one liners, demanding endurance from the performer. In jail suicide is not uncommon: ‘He tied one end around the pipe, and he hung himself. So he went out the back door rapped up in a green sheet with a tag on his toe….You lose everything!‘ But Grab it! is not just sad, but can also be understood as a ‘memento vivere’. Death row as a metaphor for life: Life is worth living. ‘Grab it!’
Grab it! XXL was commissioned by Willem Breuker for Dutch Music Days, Dec. 2003
Instrumentation: soloists, big band + string orchestra performed by Metropole Orchestra cond. Lucas Vis, starring Hans Dulfer.
A set of 2 concert videos contain videos by both M.Zegers and JacobTV/Jan Willem Looze and come as mp4 files via a link.
Langues : Anglais (eng)
Catégories : Clarinette basse
Saxophone ténor
Soundtrack
VidéoInstruments : 1 saxophone ténor ou 1 clarinette basse + soundtrack En ligne : https://www.jacobtv.net/product/grab-it/ Réservation
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Exemplaires
Code-barres Cote Support Localisation Section Disponibilité 1015152 8-SAX TER GRA Partition musicale Bibliothèque ARTS². Musique Partitions musicales Disponible One shot / Meg Stuart ; Mark Tompkins ; Gilles Toutevoix
Titre : One shot : Dialogues sur la composition en temps réel Titre original : Dialogues on real time composition Type de document : texte imprimé Auteurs : Meg Stuart, Auteur ; Mark Tompkins, Auteur ; Gilles Toutevoix, Photographe Mention d'édition : Edition bilingue français/anglais Editeur : Paris [France] : L'oeil d'Or Année de publication : 2022 Collection : Mémoires & miroirs Importance : 160 pages ISBN/ISSN/EAN : 978-2-490-43718-4 Note générale : L’improvisation infiltre presque toutes les pratiques de danse, de théâtre, de musique, mais lorsque celle-ci devient la modalité essentielle par laquelle se construit la performance, lorsqu’elle devient une pratique spécifique, une technique, un savoir, un courant artistique, ne fallait-il pas inventer un autre mot ? Lorsque, en outre, cette improvisation est pratiquée, transmise, commentée, cela au moins depuis les années soixante aux États-Unis avant de s’affirmer en Europe, n’y fallait-il pas un ouvrage écrit par celles et ceux qui la pratiquent, la transmettent, la réalisent au cœur de leurs vivacités aujourd’hui ? Voici donc un livre qui convoque le fond et la forme, un livre bien vivant qui parle de l’improvisation, de la « composition en temps réel », en improvisant.
Voilà donc ONE SHOT, dialogues sur la composition en temps réel, écrit par les danseurs improvisateurs Meg Stuart et Mark Tompkins, accompagné des images du vidéaste Gilles Toutevoix.
Improvisation infiltrates almost all dance, theatre and music practices, but when it becomes the essential modality through which performance is constructed, when it becomes a specific practice, a technique, a knowledge, an artistic trend, shouldn’t another word have been invented? When, moreover, this improvisation is practised, transmitted and commented on, at least since the 1960s in the United States before it was affirmed in Europe, wasn’t there a need for a book written by those who practise it, transmit it and carry it out at the heart of their liveliness today? So here is a book which brings together content and form, a lively book which talks about improvisation, about «composition in real time», by improvising.
Here is ONE SHOT, dialogues on real time composition, written by improvising dancers Meg Stuart and Mark Tompkins, with the images of video artist Gilles Toutevoix.Langues : Français (fre) Catégories : Art de performance
Danse
Danse contemporaine
VidéoOne shot = Dialogues on real time composition : Dialogues sur la composition en temps réel [texte imprimé] / Meg Stuart, Auteur ; Mark Tompkins, Auteur ; Gilles Toutevoix, Photographe . - Edition bilingue français/anglais . - L'oeil d'Or, 2022 . - 160 pages. - (Mémoires & miroirs) .
ISBN : 978-2-490-43718-4
L’improvisation infiltre presque toutes les pratiques de danse, de théâtre, de musique, mais lorsque celle-ci devient la modalité essentielle par laquelle se construit la performance, lorsqu’elle devient une pratique spécifique, une technique, un savoir, un courant artistique, ne fallait-il pas inventer un autre mot ? Lorsque, en outre, cette improvisation est pratiquée, transmise, commentée, cela au moins depuis les années soixante aux États-Unis avant de s’affirmer en Europe, n’y fallait-il pas un ouvrage écrit par celles et ceux qui la pratiquent, la transmettent, la réalisent au cœur de leurs vivacités aujourd’hui ? Voici donc un livre qui convoque le fond et la forme, un livre bien vivant qui parle de l’improvisation, de la « composition en temps réel », en improvisant.
Voilà donc ONE SHOT, dialogues sur la composition en temps réel, écrit par les danseurs improvisateurs Meg Stuart et Mark Tompkins, accompagné des images du vidéaste Gilles Toutevoix.
Improvisation infiltrates almost all dance, theatre and music practices, but when it becomes the essential modality through which performance is constructed, when it becomes a specific practice, a technique, a knowledge, an artistic trend, shouldn’t another word have been invented? When, moreover, this improvisation is practised, transmitted and commented on, at least since the 1960s in the United States before it was affirmed in Europe, wasn’t there a need for a book written by those who practise it, transmit it and carry it out at the heart of their liveliness today? So here is a book which brings together content and form, a lively book which talks about improvisation, about «composition in real time», by improvising.
Here is ONE SHOT, dialogues on real time composition, written by improvising dancers Meg Stuart and Mark Tompkins, with the images of video artist Gilles Toutevoix.
Langues : Français (fre)
Catégories : Art de performance
Danse
Danse contemporaine
VidéoRéservation
Réserver ce document
Exemplaires
Code-barres Cote Support Localisation Section Disponibilité 1042597 1.3 ONE STU Livre Bibliothèque ARTS². Théâtre Littérature Théâtre Disponible