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Auteur Gustav Holst (1874-1934)
Documents disponibles écrits par cet auteur
Ajouter le résultat dans votre panier Faire une suggestion Affiner la rechercheDie planeten / Gustav Holst
Titre : Die planeten : pour ensemble de chambre Type de document : partition musicale imprimée Auteurs : Gustav Holst (1874-1934), Compositeur Editeur : Berlin : Verlag von Ries & Erler Année de publication : cop. 2006 Importance : 1 partition (213 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-01-351153-2 Prix : 46,80€ Langues : Français (fre) Catégories : Orchestre de chambre Instruments : 1.0.1.0/0.0.0.0 + perc.(2) + piano (2) + cordes Die planeten : pour ensemble de chambre [partition musicale imprimée] / Gustav Holst (1874-1934), Compositeur . - Berlin : Verlag von Ries & Erler, cop. 2006 . - 1 partition (213 p.) ; 30 cm.
ISBN : 979-0-01-351153-2 : 46,80€
Langues : Français (fre)
Catégories : Orchestre de chambre Instruments : 1.0.1.0/0.0.0.0 + perc.(2) + piano (2) + cordes Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1011969 8-X HOL PLA Partition musicale Bibliothèque ARTS². Musique Partitions de poche Disponible
Titre : Fugue à la Gigue from the Fugue in G, BWV 577 : arranged for orchestra Type de document : partition musicale imprimée Auteurs : Johann Sebastian Bach (1685-1750), Compositeur ; Gustav Holst (1874-1934), Arrangeur Editeur : Münich : Musikproduktion Jürgen Höflich Année de publication : cop. 2014 Collection : Repertoire explorer Sous-collection : The Phillip Brookes collection num. 1537 Importance : 1 partition (31 p.) Format : 30 cm ISBN/ISSN/EAN : 1537 Prix : 14,00€ Note générale : Preface
In 1927, the BBC asked Gustav Holst to write a work for the BBC Military Band, an ensemble then conducted by Walton O’Donnell. Holst happily agreed; he was always keen to write music for the widest selection of performers, and he had had great success with his First (1909) and Second (1911) suites for military band. (See MPH Repertoire Explorer volumes 1153 and 1184). In the event he did not fulfill his commission until 1930, when he wrote the Prelude & Scherzo: Hammersmith. But he replied to the request (5 December 1927) “if there is no immediate hurry, I would like to postpone writing the piece and first arrange one of Bach’s Organ Fugues for military band. I have had this at the back of my mind for many years”. Accordingly, his military band arrangement of the “Jig” Fugue in G, BWV 577 (you find the score after the orchestral version) – transposed into B-flat – was completed and performed (presumably on the radio, but this is unclear).
He made a second arrangement of the same Fugue in 1929, this time for small orchestra and in its original key. He conducted the first performance of this on 24 February 1930 with the City of Birmingham Orchestra at the Town Hall, Cheltenham.
The fugue is thought to be an early work of Bach’s. If it is actually by Bach it is probably from his period at Artstadt (1703-1707), but it is by no means certain that it is Bach’s at all, being often listed only as ‘attrib. Bach’. There is certainly no contemporary manuscript that survives and the attribution to Bach was made after his death. Some commentators have said that its style is ‘easier’ than Bach’s own.
Whatever may be the truth, it is an enormously energetic piece and one can see why Holst selected it. Holst himself added a note that “the title ‘Fugue à la Gigue’ describes the work perfectly, but there is no reason to think it was so named by Bach”.
This edition
Holst’s original is reproduced exactly, with several errors of articulation corrected. In three places I have gone beyond this. The pianos in bar 24, and the dynamics in bars 68 and 69 (and indeed the direction leggiero throughout) represent common performing practice. And the trumpet and trombone parts in bars 75-78 are based upon the military band version (they are marked MB) – a passage Holst did not include in the orchestral version. It goes without saying that these additions may be omitted if desired.Langues : Anglais (eng) Catégories : Alto (violon)
Basson
Clarinette
Contrebasse
Cor
Flûte
Hautbois
Orchestre
Violon
VioloncelleNote de contenu : Arrangement + Fuge G-Dur XVII En ligne : https://repertoire-explorer.musikmph.de/en/product/bach-johann-sebastian-orch-ho [...] Fugue à la Gigue from the Fugue in G, BWV 577 : arranged for orchestra [partition musicale imprimée] / Johann Sebastian Bach (1685-1750), Compositeur ; Gustav Holst (1874-1934), Arrangeur . - Musikproduktion Jürgen Höflich, cop. 2014 . - 1 partition (31 p.) ; 30 cm. - (Repertoire explorer. The Phillip Brookes collection; 1537) .
ISSN : 1537 : 14,00€
Preface
In 1927, the BBC asked Gustav Holst to write a work for the BBC Military Band, an ensemble then conducted by Walton O’Donnell. Holst happily agreed; he was always keen to write music for the widest selection of performers, and he had had great success with his First (1909) and Second (1911) suites for military band. (See MPH Repertoire Explorer volumes 1153 and 1184). In the event he did not fulfill his commission until 1930, when he wrote the Prelude & Scherzo: Hammersmith. But he replied to the request (5 December 1927) “if there is no immediate hurry, I would like to postpone writing the piece and first arrange one of Bach’s Organ Fugues for military band. I have had this at the back of my mind for many years”. Accordingly, his military band arrangement of the “Jig” Fugue in G, BWV 577 (you find the score after the orchestral version) – transposed into B-flat – was completed and performed (presumably on the radio, but this is unclear).
He made a second arrangement of the same Fugue in 1929, this time for small orchestra and in its original key. He conducted the first performance of this on 24 February 1930 with the City of Birmingham Orchestra at the Town Hall, Cheltenham.
The fugue is thought to be an early work of Bach’s. If it is actually by Bach it is probably from his period at Artstadt (1703-1707), but it is by no means certain that it is Bach’s at all, being often listed only as ‘attrib. Bach’. There is certainly no contemporary manuscript that survives and the attribution to Bach was made after his death. Some commentators have said that its style is ‘easier’ than Bach’s own.
Whatever may be the truth, it is an enormously energetic piece and one can see why Holst selected it. Holst himself added a note that “the title ‘Fugue à la Gigue’ describes the work perfectly, but there is no reason to think it was so named by Bach”.
This edition
Holst’s original is reproduced exactly, with several errors of articulation corrected. In three places I have gone beyond this. The pianos in bar 24, and the dynamics in bars 68 and 69 (and indeed the direction leggiero throughout) represent common performing practice. And the trumpet and trombone parts in bars 75-78 are based upon the military band version (they are marked MB) – a passage Holst did not include in the orchestral version. It goes without saying that these additions may be omitted if desired.
Langues : Anglais (eng)
Catégories : Alto (violon)
Basson
Clarinette
Contrebasse
Cor
Flûte
Hautbois
Orchestre
Violon
VioloncelleNote de contenu : Arrangement + Fuge G-Dur XVII En ligne : https://repertoire-explorer.musikmph.de/en/product/bach-johann-sebastian-orch-ho [...] Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1013262 8-X BAC FUG Partition musicale Bibliothèque ARTS². Musique Partitions de poche Disponible Saint-Paul's suite pour orchestre à cordes / Gustav Holst
Titre : Saint-Paul's suite pour orchestre à cordes Type de document : partition musicale imprimée Auteurs : Gustav Holst (1874-1934), Compositeur Editeur : Londres : J. Curwen Année de publication : cop. 1922 Importance : 1 partition (23 p.) Format : 18 cm ISBN/ISSN/EAN : 90718 Catégories : Orchestre à cordes Instruments : cordes (2.1.1.1) Saint-Paul's suite pour orchestre à cordes [partition musicale imprimée] / Gustav Holst (1874-1934), Compositeur . - Londres : J. Curwen, cop. 1922 . - 1 partition (23 p.) ; 18 cm.
ISSN : 90718
Catégories : Orchestre à cordes Instruments : cordes (2.1.1.1) Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1012554 8-X HOL SAI Partition musicale Bibliothèque ARTS². Musique Partitions de poche Disponible Saint-Paul's suite pour orchestre à cordes / Gustav Holst
Titre : Saint-Paul's suite pour orchestre à cordes Type de document : partition musicale imprimée Auteurs : Gustav Holst (1874-1934) Editeur : Curven Saint-Paul's suite pour orchestre à cordes [partition musicale imprimée] / Gustav Holst (1874-1934) . - [S.l.] : Curven, [s.d.].Exemplaires
Code-barres Cote Support Localisation Section Disponibilité P63714 Y 596 Partition musicale Bibliothèque ARTS². Musique Matériel d'orchestre Exclu du prêt String trio (1894) in G minor / Gustav Holst
Titre : String trio (1894) in G minor : violin, viola & cello Type de document : partition musicale imprimée Auteurs : Gustav Holst (1874-1934), Compositeur Editeur : SJ Music Année de publication : cop. 2009 Collection : Chamber music series num. T2009-1 Importance : 4 partitions (16, 12, 12, 11 p.) Format : 30 cm ISBN/ISSN/EAN : SJT2009-1 Langues : Anglais (eng) Catégories : Alto (violon)
Trio
Trio à cordes
Violon
VioloncelleRésumé : This string trio is a very early work by Holst, who is best known for “The Planets”. It was written while he was still a student, but it is, nevertheless, a mature piece worthy of a place in the string trio repertoire. It is technically quite accessible for competent players. Gustav Holst was born in Cheltenham in 1874 and died in 1934. He started composing while he was still at Cheltenham Grammar School and later went on to study under Stanford (also published by SJ Music) at the Royal College of Music. There he met fellow student Vaughan Williams in 1895 and they became lifelong friends. In 1905 he was appointed Director of Music at St Paul's Girls' school, a post he kept until the end of his life. He was also in charge of music at Morley College (south London) for a while and later taught at the Royal College of Music. Instruments : 1 violon + 1 alto + 1 violoncelle String trio (1894) in G minor : violin, viola & cello [partition musicale imprimée] / Gustav Holst (1874-1934), Compositeur . - SJ Music, cop. 2009 . - 4 partitions (16, 12, 12, 11 p.) ; 30 cm. - (Chamber music series; T2009-1) .
ISSN : SJT2009-1
Langues : Anglais (eng)
Catégories : Alto (violon)
Trio
Trio à cordes
Violon
VioloncelleRésumé : This string trio is a very early work by Holst, who is best known for “The Planets”. It was written while he was still a student, but it is, nevertheless, a mature piece worthy of a place in the string trio repertoire. It is technically quite accessible for competent players. Gustav Holst was born in Cheltenham in 1874 and died in 1934. He started composing while he was still at Cheltenham Grammar School and later went on to study under Stanford (also published by SJ Music) at the Royal College of Music. There he met fellow student Vaughan Williams in 1895 and they became lifelong friends. In 1905 he was appointed Director of Music at St Paul's Girls' school, a post he kept until the end of his life. He was also in charge of music at Morley College (south London) for a while and later taught at the Royal College of Music. Instruments : 1 violon + 1 alto + 1 violoncelle Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1014403 MC-3 CRD / HOL STR Partition musicale Bibliothèque ARTS². Musique Musique de chambre Disponible