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Concerto pour piano et cordes / Alfred Garrievitch Schnittke

Public ISBD Titre : Concerto pour piano et cordes Titre original : Konzert für klavier und Streicher=Concerto for piano and strings Type de document : partition musicale imprimée Auteurs : Alfred Garrievitch Schnittke, Compositeur Mention d'édition : H.S.1879 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 1995 Collection : Exempla Nova num. 179 Importance : 1 partition (76 p.) Format : 21 cm ISBN/ISSN/EAN : H.S.1879 Note générale : Composition : 1934 (arr. 1979). - Durée : 23' Catégories : Orchestre à cordes Piano Instruments : 12/12/8/8/4 Concerto pour piano et cordes = Konzert für klavier und Streicher=Concerto for piano and strings [partition musicale imprimée] / Alfred Garrievitch Schnittke, Compositeur  . -  H.S.1879 . - Musikverlag Hans Sikorski, cop. 1995 . - 1 partition (76 p.) ; 21 cm. - (Exempla Nova; 179) . ISSN : H.S.1879 Composition : 1934 (arr. 1979). - Durée : 23' Catégories : Orchestre à cordes Piano Instruments : 12/12/8/8/4

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1007659	8-X SCH CON	Partition musicale	Bibliothèque ARTS². Musique	Partitions de poche	Disponible

Concerto pour piano et orchestre à cordes / Alfred Garrievitch Schnittke

Public ISBD Titre : Concerto pour piano et orchestre à cordes Titre original : Konzert für klavier und Streicherorchester=Concerto for piano and string orchestra Type de document : partition musicale imprimée Auteurs : Alfred Garrievitch Schnittke, Compositeur Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : 2009 Collection : Exempla Nova num. 400 Importance : 1 partition (39 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-303671-7 Note générale : Composition : 1979 - Durée : 23' Catégories : Duo Piano (réduction) Instruments : 2 pianos Concerto pour piano et orchestre à cordes = Konzert für klavier und Streicherorchester=Concerto for piano and string orchestra [partition musicale imprimée] / Alfred Garrievitch Schnittke, Compositeur . - Musikverlag Hans Sikorski, 2009 . - 1 partition (39 p.) ; 30 cm. - (Exempla Nova; 400) . ISBN : 979-0-00-303671-7 Composition : 1979 - Durée : 23' Catégories : Duo Piano (réduction) Instruments : 2 pianos

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1007660	MC-2 PIA / SCH CON	Partition musicale	Bibliothèque ARTS². Musique	Musique de chambre	Disponible

Sonate n°1 pour violon et piano / Alfred Garrievitch Schnittke

Public ISBD Titre : Sonate n°1 pour violon et piano Type de document : partition musicale imprimée Auteurs : Alfred Garrievitch Schnittke, Compositeur Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 1974 Collection : Exempla Nova num. 140 Importance : 2 partitions (12, 35 p.) Format : 31 cm ISBN/ISSN/EAN : 979-0-00-301616-0 Note générale : Composition : 1934 (arr. 1963). - Durée : 20' Catégories : Piano (accompagnement) Violon Sonate n°1 pour violon et piano [partition musicale imprimée] / Alfred Garrievitch Schnittke, Compositeur . - Musikverlag Hans Sikorski, cop. 1974 . - 2 partitions (12, 35 p.) ; 31 cm. - (Exempla Nova; 140) . ISBN : 979-0-00-301616-0 Composition : 1934 (arr. 1963). - Durée : 20' Catégories : Piano (accompagnement) Violon

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1012837	8-VIO SCH SON 1	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible

Quasi Hoquetus for viola, double bass and piano / Sofia Gubaidulina

Public ISBD Titre : Quasi Hoquetus for viola, double bass and piano Titre original : Quasi Hoquetus pour alto, contrebasse et piano Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S.8679 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 2015 Collection : Exempla Nova num. 479 Importance : 3 partitions (27, 12, 12 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-303874-2 Prix : 46,90€ Note générale : Composed in 1985 (original for the instrumentation viola, bassoon and piano), this work harks back to the medieval technique of the “hocket” (which comes from the Breton word for “hiccups”). It is a technique in which a melody is broken up into fragments which then roam through all the parts in an open, “filigree” texture. In Gubaidulina’s work, however, the hocket embraces not only the melodic parameter, but also and above all the harmony and timbres of her material. The filigree writing consolidates itself gradually into a linear continuum, whereby spiritual symbolism in the form of cross and number figures (e. g. seven and thirteen) takes on a particular importance. The work pledges a certain allegiance to tradition in its distinct formal, harmonic and tonal structure and in its obvious references to Johann Sebastian Bach. However, it is also genuinely and refreshingly innovative, particularly in the treatment of the harmonics in the viola, the multiple stops on the bassoon and the clusters in the piano. Brought to a consummate synthesis in this masterful chamber music work, these two aspects – tradition and innovation - reflect Gubaidulina’s uniquely personal relationship to her heritage. “My ideal is a relationship to tradition and to new compositional means in which the artist masters all of these means both new and traditional- but does so in a way that makes it seem he is paying no attention to either of them. There are composers who construct their works very consciously; I, however, number myself among those who prefer to ‘cultivate’ their works. This is why the entire world which I can assimilate constitutes, in a way, the roots of a tree; its branches and leaves are the works which grow from it. One can call them new, but in the end they are still leaves, and thus they are always traditional, old”. (Sofia Gubaidulina) Langues : Latin (lat) Allemand (ger) Anglais (eng) Catégories : Alto (violon) Contrebasse Piano Trio Instruments : 1 Alto + 1 contrebasse + 1 piano Quasi Hoquetus for viola, double bass and piano = Quasi Hoquetus pour alto, contrebasse et piano [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur  . -  H.S.8679 . - Musikverlag Hans Sikorski, cop. 2015 . - 3 partitions (27, 12, 12 p.) ; 30 cm. - (Exempla Nova; 479) . ISBN : 979-0-00-303874-2 : 46,90€ Composed in 1985 (original for the instrumentation viola, bassoon and piano), this work harks back to the medieval technique of the “hocket” (which comes from the Breton word for “hiccups”). It is a technique in which a melody is broken up into fragments which then roam through all the parts in an open, “filigree” texture. In Gubaidulina’s work, however, the hocket embraces not only the melodic parameter, but also and above all the harmony and timbres of her material. The filigree writing consolidates itself gradually into a linear continuum, whereby spiritual symbolism in the form of cross and number figures (e. g. seven and thirteen) takes on a particular importance. The work pledges a certain allegiance to tradition in its distinct formal, harmonic and tonal structure and in its obvious references to Johann Sebastian Bach. However, it is also genuinely and refreshingly innovative, particularly in the treatment of the harmonics in the viola, the multiple stops on the bassoon and the clusters in the piano. Brought to a consummate synthesis in this masterful chamber music work, these two aspects – tradition and innovation - reflect Gubaidulina’s uniquely personal relationship to her heritage. “My ideal is a relationship to tradition and to new compositional means in which the artist masters all of these means both new and traditional- but does so in a way that makes it seem he is paying no attention to either of them. There are composers who construct their works very consciously; I, however, number myself among those who prefer to ‘cultivate’ their works. This is why the entire world which I can assimilate constitutes, in a way, the roots of a tree; its branches and leaves are the works which grow from it. One can call them new, but in the end they are still leaves, and thus they are always traditional, old”. (Sofia Gubaidulina) Langues : Latin (lat) Allemand (ger) Anglais (eng) Catégories : Alto (violon) Contrebasse Piano Trio Instruments : 1 Alto + 1 contrebasse + 1 piano

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1014065	MC-3 DIV / GUB QUA	Partition musicale	Bibliothèque ARTS². Musique	Musique de chambre	Disponible

Et exspecto sonate für bajan solo / Sofia Gubaidulina

Public ISBD Titre : Et exspecto sonate für bajan solo : sonata for bayan solo Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S.8743 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 1991 Collection : Exempla Nova num. 543 Importance : 1 partition (23 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-304100-1 Prix : 27,60€ Note générale : Durée : 17 minutes Langues : Anglais (eng) Allemand (ger) Catégories : Accordéon bajan Résumé : Sofia Gubaidulina’s frequently performed solo piece “Et exspecto” for bayan solo was composed in 1986. Like many other works by this profoundly religious composer, this one has a close connection to the Christian faith. With “Et exspecto”, Sofia Gubaidulina also refers to the second coming of Jesus Christ. Two sonic spheres come together in this work, now being published in the “exempla nova” series - a tonal chorale is confronted by blocks of clusters. The composer maintains this chorale in the first four movements; it is only absent from the fifth and final movement. What can be sensed by all listeners is the increasingly dissonant spectrum over the course of this composition, in which the noise of the air button on the Russian button-action bayan plays an important role. Sofia Gubaidulina has dedicated her Sonata for bayan solo to the editor Friedrich Lips. Instruments : 1 bayan solo Et exspecto sonate für bajan solo : sonata for bayan solo [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur  . -  H.S.8743 . - Musikverlag Hans Sikorski, cop. 1991 . - 1 partition (23 p.) ; 30 cm. - (Exempla Nova; 543) . ISBN : 979-0-00-304100-1 : 27,60€ Durée : 17 minutes Langues : Anglais (eng) Allemand (ger) Catégories : Accordéon bajan Résumé : Sofia Gubaidulina’s frequently performed solo piece “Et exspecto” for bayan solo was composed in 1986. Like many other works by this profoundly religious composer, this one has a close connection to the Christian faith. With “Et exspecto”, Sofia Gubaidulina also refers to the second coming of Jesus Christ. Two sonic spheres come together in this work, now being published in the “exempla nova” series - a tonal chorale is confronted by blocks of clusters. The composer maintains this chorale in the first four movements; it is only absent from the fifth and final movement. What can be sensed by all listeners is the increasingly dissonant spectrum over the course of this composition, in which the noise of the air button on the Russian button-action bayan plays an important role. Sofia Gubaidulina has dedicated her Sonata for bayan solo to the editor Friedrich Lips. Instruments : 1 bayan solo

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1014937	8-ACC GUB ETE	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible