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/ Samuel Beckett
Titre : | Waiting for Godot : A tragicomedy in two Acts | Type de document : | texte imprimé | Auteurs : | Samuel Beckett, Auteur | Editeur : | Londres : Faber & Faber | Année de publication : | 2006 | Importance : | 87 pages | Format : | 20 x 12. 5 cm | ISBN/ISSN/EAN : | 978-0-571-22911-6 | Prix : | 13.95€ | Note générale : | Waiting for Godot: A Tragicomedy in Two Acts by Samuel Beckett is a wonderfully surreal and thought provoking black comedy from the winner of the Nobel Prize and author of plays such as Murphy and Endgame. | Langues : | Anglais (eng) | Catégories : | Théâtre Théâtre contemporain
| Mots-clés : | angleterre langue anglaise théâtre en anglais comédie | Résumé : | Nothing happens, nobody comes, nobody goes, it’s awful.’ This line from the play was adopted by Jean Anouilh to characterize the first production of Waiting for Godot at the Théâtre de Babylone in 1953. He went on to predict that the play would, in time, represent the most important premiere to be staged in Paris for forty years. Nobody acquainted with Beckett’s masterly black comedy would now question this prescient recognition of a classic of twentieth-century literature. |
Waiting for Godot : A tragicomedy in two Acts [texte imprimé] / Samuel Beckett, Auteur . - Londres : Faber & Faber, 2006 . - 87 pages ; 20 x 12. 5 cm. ISBN : 978-0-571-22911-6 : 13.95€ Waiting for Godot: A Tragicomedy in Two Acts by Samuel Beckett is a wonderfully surreal and thought provoking black comedy from the winner of the Nobel Prize and author of plays such as Murphy and Endgame. Langues : Anglais ( eng) Catégories : | Théâtre Théâtre contemporain
| Mots-clés : | angleterre langue anglaise théâtre en anglais comédie | Résumé : | Nothing happens, nobody comes, nobody goes, it’s awful.’ This line from the play was adopted by Jean Anouilh to characterize the first production of Waiting for Godot at the Théâtre de Babylone in 1953. He went on to predict that the play would, in time, represent the most important premiere to be staged in Paris for forty years. Nobody acquainted with Beckett’s masterly black comedy would now question this prescient recognition of a classic of twentieth-century literature. |
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