Titre :	The Audiovisual Chord : Embodied Listening in Film
Type de document :	texte imprimé
Auteurs :	Martine Huvenne, Auteur
Editeur :	Vienne ; New-York : Springer verlag
Année de publication :	cop. 2022
Collection :	Palgrave studies in sound, ISSN 2633-5875
Importance :	1 vol. (317 p.)
Présentation :	ill. en noir
Format :	22 cm
ISBN/ISSN/EAN :	978-981-19-4806-0
Prix :	139,49€
Note générale :	This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.
Langues :	Anglais (eng)
Catégories :	Corps (mouvement) Musique et cinéma Musique et culture Sociologie de la musique Son Son -- Enregistrement et reproduction
Note de contenu :	Introduction.- Part I.- "The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.".- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion.
En ligne :	https://link.springer.com/book/10.1007/978-981-19-4807-7

The Audiovisual Chord : Embodied Listening in Film [texte imprimé] / Martine Huvenne, Auteur . - Palgrave macmillan, cop. 2022 . - 1 vol. (317 p.) : ill. en noir ; 22 cm. - (Palgrave studies in sound, ISSN 2633-5875) .
ISBN : 978-981-19-4806-0 : 139,49€
This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.
Langues : Anglais (eng)

Catégories :	Corps (mouvement) Musique et cinéma Musique et culture Sociologie de la musique Son Son -- Enregistrement et reproduction
Note de contenu :	Introduction.- Part I.- "The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.".- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion.
En ligne :	https://link.springer.com/book/10.1007/978-981-19-4807-7