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Damned Spiders / Gustav Holst 

Public ISBD Titre : Damned Spiders : Saxophone Octet score and parts Type de document : partition musicale imprimée Auteurs : Gustav Holst (1874-1934), Compositeur ; Alun Cook, Arrangeur Editeur : Propriété de l'auteur Importance : 10 partitions (1 score + 9 parties) Format : 30 cm Prix : 19,08$ Note générale : Difficulty : Difficult (Grades 7+) Duration : 3 minutes Genre : Modern classical music Langues : Anglais (eng) Catégories : Ensemble de saxophones Octuor Saxophone Saxophone alto Saxophone baryton Saxophone contralto Saxophone soprano Saxophone ténor Résumé : A menacing Tarantella which drives at a fast tempo and, although not technically difficult, the shear speed provides plenty of challenge for the performers. Originally written for wind quintet under the title "Don’t Cry…", the expansion into an octet works very well and fits neatly under the fingers. Instruments : 2 sax sop + 2 sax alto + 2 sax ten + 2 sax bar + 1 sax bas (optionnel) En ligne : https://www.scoreexchange.com/scores/damned-spiders-saxophone-octet-151584.html Damned Spiders : Saxophone Octet score and parts [partition musicale imprimée] / Gustav Holst (1874-1934), Compositeur ; Alun Cook, Arrangeur . - [S.l.] : Propriété de l'auteur, [s.d.] . - 10 partitions (1 score + 9 parties) ; 30 cm. 19,08$ Difficulty : Difficult (Grades 7+) Duration : 3 minutes Genre : Modern classical music Langues : Anglais (eng) Catégories : Ensemble de saxophones Octuor Saxophone Saxophone alto Saxophone baryton Saxophone contralto Saxophone soprano Saxophone ténor Résumé : A menacing Tarantella which drives at a fast tempo and, although not technically difficult, the shear speed provides plenty of challenge for the performers. Originally written for wind quintet under the title "Don’t Cry…", the expansion into an octet works very well and fits neatly under the fingers. Instruments : 2 sax sop + 2 sax alto + 2 sax ten + 2 sax bar + 1 sax bas (optionnel) En ligne : https://www.scoreexchange.com/scores/damned-spiders-saxophone-octet-151584.html

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1015440	8-SAX HOL DAM	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible

Die planeten / Gustav Holst

Public ISBD Titre : Die planeten : pour ensemble de chambre Type de document : partition musicale imprimée Auteurs : Gustav Holst (1874-1934), Compositeur Editeur : Berlin : Verlag von Ries & Erler Année de publication : cop. 2006 Importance : 1 partition (213 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-01-351153-2 Prix : 46,80€ Langues : Français (fre) Catégories : Orchestre de chambre Instruments : 1.0.1.0/0.0.0.0 + perc.(2) + piano (2) + cordes Die planeten : pour ensemble de chambre [partition musicale imprimée] / Gustav Holst (1874-1934), Compositeur . - Berlin : Verlag von Ries & Erler, cop. 2006 . - 1 partition (213 p.) ; 30 cm. ISBN : 979-0-01-351153-2 : 46,80€ Langues : Français (fre) Catégories : Orchestre de chambre Instruments : 1.0.1.0/0.0.0.0 + perc.(2) + piano (2) + cordes

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1011969	8-X HOL PLA	Partition musicale	Bibliothèque ARTS². Musique	Partitions de poche	Disponible

Fantasia on The Dargason / Gustav Holst 

Public ISBD Titre : Fantasia on The Dargason : Saxophone Octet score and parts Type de document : partition musicale imprimée Auteurs : Gustav Holst (1874-1934), Compositeur ; Alun Cook, Arrangeur Editeur : Propriété de l'auteur Importance : 10 partitions (1 score + 9 parties) Format : 30 cm Prix : 19,08$ Note générale : Year of composition : 1911 Arranger : Alun Cook Difficulty : Moderate (Grades 4-6) Duration : 3 minutes Genre : Classical music Langues : Anglais (eng) Catégories : Ensemble de saxophones Octuor Saxophone Saxophone alto Saxophone baryton Saxophone contralto Saxophone soprano Saxophone ténor Résumé : Holst uses a similar arrangement to this in both his 2nd Suite for Military Band, and the St. Pauls’ Suite for Strings. Holst juxtaposes the 16th century English folk tune "Dargason", with "Greensleeves", purportedly written by King Henry VIII (although this is now pooh-poohed by those spoilsports historians!) Arranged for SSAATTBB with optional Bass part. Instruments : 2 sax sop + 2 sax alto + 2 sax ten + 2 sax bar + 1 sax bas (optionnel) En ligne : https://www.scoreexchange.com/scores/fantasia-on-the-dargason-saxophone-octet-94 [...] Fantasia on The Dargason : Saxophone Octet score and parts [partition musicale imprimée] / Gustav Holst (1874-1934), Compositeur ; Alun Cook, Arrangeur . - [S.l.] : Propriété de l'auteur, [s.d.] . - 10 partitions (1 score + 9 parties) ; 30 cm. 19,08$ Year of composition : 1911 Arranger : Alun Cook Difficulty : Moderate (Grades 4-6) Duration : 3 minutes Genre : Classical music Langues : Anglais (eng) Catégories : Ensemble de saxophones Octuor Saxophone Saxophone alto Saxophone baryton Saxophone contralto Saxophone soprano Saxophone ténor Résumé : Holst uses a similar arrangement to this in both his 2nd Suite for Military Band, and the St. Pauls’ Suite for Strings. Holst juxtaposes the 16th century English folk tune "Dargason", with "Greensleeves", purportedly written by King Henry VIII (although this is now pooh-poohed by those spoilsports historians!) Arranged for SSAATTBB with optional Bass part. Instruments : 2 sax sop + 2 sax alto + 2 sax ten + 2 sax bar + 1 sax bas (optionnel) En ligne : https://www.scoreexchange.com/scores/fantasia-on-the-dargason-saxophone-octet-94 [...]

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Fugue à la Gigue from the Fugue in G, BWV 577 / Johann Sebastian Bach 

Public ISBD Titre : Fugue à la Gigue from the Fugue in G, BWV 577 : arranged for orchestra Type de document : partition musicale imprimée Auteurs : Johann Sebastian Bach (1685-1750), Compositeur ; Gustav Holst (1874-1934), Arrangeur Editeur : Münich : Musikproduktion Jürgen Höflich Année de publication : cop. 2014 Collection : Repertoire explorer Sous-collection : The Phillip Brookes collection num. 1537 Importance : 1 partition (31 p.) Format : 30 cm ISBN/ISSN/EAN : 1537 Prix : 14,00€ Note générale : Preface In 1927, the BBC asked Gustav Holst to write a work for the BBC Military Band, an ensemble then conducted by Walton O’Donnell. Holst happily agreed; he was always keen to write music for the widest selection of performers, and he had had great success with his First (1909) and Second (1911) suites for military band. (See MPH Repertoire Explorer volumes 1153 and 1184). In the event he did not fulfill his commission until 1930, when he wrote the Prelude & Scherzo: Hammersmith. But he replied to the request (5 December 1927) “if there is no immediate hurry, I would like to postpone writing the piece and first arrange one of Bach’s Organ Fugues for military band. I have had this at the back of my mind for many years”. Accordingly, his military band arrangement of the “Jig” Fugue in G, BWV 577 (you find the score after the orchestral version) – transposed into B-flat – was completed and performed (presumably on the radio, but this is unclear). He made a second arrangement of the same Fugue in 1929, this time for small orchestra and in its original key. He conducted the first performance of this on 24 February 1930 with the City of Birmingham Orchestra at the Town Hall, Cheltenham. The fugue is thought to be an early work of Bach’s. If it is actually by Bach it is probably from his period at Artstadt (1703-1707), but it is by no means certain that it is Bach’s at all, being often listed only as ‘attrib. Bach’. There is certainly no contemporary manuscript that survives and the attribution to Bach was made after his death. Some commentators have said that its style is ‘easier’ than Bach’s own. Whatever may be the truth, it is an enormously energetic piece and one can see why Holst selected it. Holst himself added a note that “the title ‘Fugue à la Gigue’ describes the work perfectly, but there is no reason to think it was so named by Bach”. This edition Holst’s original is reproduced exactly, with several errors of articulation corrected. In three places I have gone beyond this. The pianos in bar 24, and the dynamics in bars 68 and 69 (and indeed the direction leggiero throughout) represent common performing practice. And the trumpet and trombone parts in bars 75-78 are based upon the military band version (they are marked MB) – a passage Holst did not include in the orchestral version. It goes without saying that these additions may be omitted if desired. Langues : Anglais (eng) Catégories : Alto (violon) Basson Clarinette Contrebasse Cor Flûte Hautbois Orchestre Violon Violoncelle Note de contenu : Arrangement + Fuge G-Dur XVII En ligne : https://repertoire-explorer.musikmph.de/en/product/bach-johann-sebastian-orch-ho [...] Fugue à la Gigue from the Fugue in G, BWV 577 : arranged for orchestra [partition musicale imprimée] / Johann Sebastian Bach (1685-1750), Compositeur ; Gustav Holst (1874-1934), Arrangeur . - Musikproduktion Jürgen Höflich, cop. 2014 . - 1 partition (31 p.) ; 30 cm. - (Repertoire explorer. The Phillip Brookes collection; 1537) . ISSN : 1537 : 14,00€ Preface In 1927, the BBC asked Gustav Holst to write a work for the BBC Military Band, an ensemble then conducted by Walton O’Donnell. Holst happily agreed; he was always keen to write music for the widest selection of performers, and he had had great success with his First (1909) and Second (1911) suites for military band. (See MPH Repertoire Explorer volumes 1153 and 1184). In the event he did not fulfill his commission until 1930, when he wrote the Prelude & Scherzo: Hammersmith. But he replied to the request (5 December 1927) “if there is no immediate hurry, I would like to postpone writing the piece and first arrange one of Bach’s Organ Fugues for military band. I have had this at the back of my mind for many years”. Accordingly, his military band arrangement of the “Jig” Fugue in G, BWV 577 (you find the score after the orchestral version) – transposed into B-flat – was completed and performed (presumably on the radio, but this is unclear). He made a second arrangement of the same Fugue in 1929, this time for small orchestra and in its original key. He conducted the first performance of this on 24 February 1930 with the City of Birmingham Orchestra at the Town Hall, Cheltenham. The fugue is thought to be an early work of Bach’s. If it is actually by Bach it is probably from his period at Artstadt (1703-1707), but it is by no means certain that it is Bach’s at all, being often listed only as ‘attrib. Bach’. There is certainly no contemporary manuscript that survives and the attribution to Bach was made after his death. Some commentators have said that its style is ‘easier’ than Bach’s own. Whatever may be the truth, it is an enormously energetic piece and one can see why Holst selected it. Holst himself added a note that “the title ‘Fugue à la Gigue’ describes the work perfectly, but there is no reason to think it was so named by Bach”. This edition Holst’s original is reproduced exactly, with several errors of articulation corrected. In three places I have gone beyond this. The pianos in bar 24, and the dynamics in bars 68 and 69 (and indeed the direction leggiero throughout) represent common performing practice. And the trumpet and trombone parts in bars 75-78 are based upon the military band version (they are marked MB) – a passage Holst did not include in the orchestral version. It goes without saying that these additions may be omitted if desired. Langues : Anglais (eng) Catégories : Alto (violon) Basson Clarinette Contrebasse Cor Flûte Hautbois Orchestre Violon Violoncelle Note de contenu : Arrangement + Fuge G-Dur XVII En ligne : https://repertoire-explorer.musikmph.de/en/product/bach-johann-sebastian-orch-ho [...]

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Jupiter from The Planets / Gustav Holst 

Public ISBD Titre : Jupiter from The Planets : Saxophone Quartet score and parts Type de document : partition musicale imprimée Auteurs : Gustav Holst (1874-1934), Compositeur Editeur : Propriété de l'auteur Importance : 5 partitions (1 score + 4 parties) Format : 30 cm Prix : 14,84$ Note générale : Year of composition : 1915 Arranger : Alun Cook Difficulty : Difficult (Grades 7+) Duration : 8 minutes Genre : Classical music Langues : Anglais (eng) Catégories : Ensemble de saxophones Quatuor Saxophone Saxophone alto Saxophone baryton Saxophone ténor Résumé : Difficult, but definitely possible, and fantastic fun to play. You may want to adapt the tonguing patterns on the repeated semiquaver sections but this pattern works best for me and conveys the right style. Top G’s in the Alto 1 are not essential but preferable. Instruments : 2 sax alto + 1 sax ten + 1 sax bar En ligne : https://www.scoreexchange.com/scores/jupiter-from-the-planets-saxophone-quartet- [...] Jupiter from The Planets : Saxophone Quartet score and parts [partition musicale imprimée] / Gustav Holst (1874-1934), Compositeur . - [S.l.] : Propriété de l'auteur, [s.d.] . - 5 partitions (1 score + 4 parties) ; 30 cm. 14,84$ Year of composition : 1915 Arranger : Alun Cook Difficulty : Difficult (Grades 7+) Duration : 8 minutes Genre : Classical music Langues : Anglais (eng) Catégories : Ensemble de saxophones Quatuor Saxophone Saxophone alto Saxophone baryton Saxophone ténor Résumé : Difficult, but definitely possible, and fantastic fun to play. You may want to adapt the tonguing patterns on the repeated semiquaver sections but this pattern works best for me and conveys the right style. Top G’s in the Alto 1 are not essential but preferable. Instruments : 2 sax alto + 1 sax ten + 1 sax bar En ligne : https://www.scoreexchange.com/scores/jupiter-from-the-planets-saxophone-quartet- [...]

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Mercury from The Planets / Gustav Holst 

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Saint-Paul's suite pour orchestre à cordes / Gustav Holst

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Saint-Paul's suite pour orchestre à cordes / Gustav Holst

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String trio (1894) in G minor / Gustav Holst

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