Et exspecto sonate für bajan solo / Sofia Gubaidulina

Public ISBD Titre : Et exspecto sonate für bajan solo : sonata for bayan solo Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S.8743 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 1991 Collection : Exempla Nova num. 543 Importance : 1 partition (23 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-304100-1 Prix : 27,60€ Note générale : Durée : 17 minutes Langues : Anglais (eng) Allemand (ger) Catégories : Accordéon bajan Résumé : Sofia Gubaidulina’s frequently performed solo piece “Et exspecto” for bayan solo was composed in 1986. Like many other works by this profoundly religious composer, this one has a close connection to the Christian faith. With “Et exspecto”, Sofia Gubaidulina also refers to the second coming of Jesus Christ. Two sonic spheres come together in this work, now being published in the “exempla nova” series - a tonal chorale is confronted by blocks of clusters. The composer maintains this chorale in the first four movements; it is only absent from the fifth and final movement. What can be sensed by all listeners is the increasingly dissonant spectrum over the course of this composition, in which the noise of the air button on the Russian button-action bayan plays an important role. Sofia Gubaidulina has dedicated her Sonata for bayan solo to the editor Friedrich Lips. Instruments : 1 bayan solo Et exspecto sonate für bajan solo : sonata for bayan solo [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur  . -  H.S.8743 . - Musikverlag Hans Sikorski, cop. 1991 . - 1 partition (23 p.) ; 30 cm. - (Exempla Nova; 543) . ISBN : 979-0-00-304100-1 : 27,60€ Durée : 17 minutes Langues : Anglais (eng) Allemand (ger) Catégories : Accordéon bajan Résumé : Sofia Gubaidulina’s frequently performed solo piece “Et exspecto” for bayan solo was composed in 1986. Like many other works by this profoundly religious composer, this one has a close connection to the Christian faith. With “Et exspecto”, Sofia Gubaidulina also refers to the second coming of Jesus Christ. Two sonic spheres come together in this work, now being published in the “exempla nova” series - a tonal chorale is confronted by blocks of clusters. The composer maintains this chorale in the first four movements; it is only absent from the fifth and final movement. What can be sensed by all listeners is the increasingly dissonant spectrum over the course of this composition, in which the noise of the air button on the Russian button-action bayan plays an important role. Sofia Gubaidulina has dedicated her Sonata for bayan solo to the editor Friedrich Lips. Instruments : 1 bayan solo

Réservation

Réserver ce document

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
1014937	8-ACC GUB ETE	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible

In croce / Sofia Gubaidulina

Public ISBD Titre : In croce : for violoncello and bayan Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur ; Elsbeth Moser, Arrangeur Mention d'édition : H.S.1940 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 1996 Importance : 2 partitions (8, 23 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-302807-1 Langues : Allemand (ger) Anglais (eng) Catégories : bajan Duo Violoncelle Instruments : 1 violoncelle + 1 bayan In croce : for violoncello and bayan [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur ; Elsbeth Moser, Arrangeur  . -  H.S.1940 . - Hamburg : Musikverlag Hans Sikorski, cop. 1996 . - 2 partitions (8, 23 p.) ; 30 cm. ISBN : 979-0-00-302807-1 Langues : Allemand (ger) Anglais (eng) Catégories : bajan Duo Violoncelle Instruments : 1 violoncelle + 1 bayan

Réservation

Réserver ce document

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
1015360	MC-2 DIV / GUB CRO	Partition musicale	Bibliothèque ARTS². Musique	Musique de chambre	Disponible

De profundis für bajan solo / Sofia Gubaidulina

Public ISBD Titre : De profundis für bajan solo : for bayan solo Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S.8742 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 1991 Importance : 1 partition (15 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-304099-8 Prix : 23,40€ Note générale : In one movement. With performance notes in German and English. The bayan is a kind of Russian accordion. Of advanced difficulty. Duration ca. 12 minutes. Langues : Anglais (eng) Allemand (ger) Catégories : Accordéon bajan Résumé : In the field of New Music, Sofia Gubaidulina's “De profundis” has already achieved the status of a classic. It is not only an attainment of the New Music that instruments are capable of approaching the human voice in their sound, or that they can imitate areas of expression found in language and linguistic articulation. But the avant-garde has surely expanded the spectrum to a considerable extent. The piece for solo bayan is an impressive example of this. The listener witnesses a slow and inexorable intensification from the “rattling” of the lowest accordion register up to the pure, tender tones of the highest register. It is “anascent from the lowest to the highest, from the breath and soul to the world's soul or wisdom”, as Gubaidulina's friend and colleague Viktor Suslin once expressed it. With the means of sound, Gubaidulina transfers a symbol of life onto the music: breathing. Breathing distinguishes the living from the dead. What other instrument, other than the winds, perhaps, could better lendexpression to this characteristic than the accordion? In contrast to the wind instruments, however, the accordion is not an instrument into which the player breathes and creates breathing sounds - instead, the instrument itself assumes this function. It breathes through the pulling apart and pressing together of the bellows. As the basis of her composition, Gubaidulina chose the lines of the Psalm 130 “From the depths, o Lord, I call to you” for the characterisation of her interlaced message. Shadowy chorale melodies are occasionally heard, but the fundamental idea of ascent remains decisive. Sharp insertions and expressive gestures, intrusive glissandi and nervous vibrati repeatedly disturb the direction of movement. And then we hear consciously the integrated breathing of the instrument - breathing slightly, hardly audible, opposing the powerful chord blocks. The musicologist Valentina Cholopova once said of this: “All these sounds confront solemn chords richly ornamented with figurations, but there is also a long, monodic melody running through the entire symbolic path of the work - from the depths all the way up to the brilliant heights.” The work is dedicated to Friedrich Lips! Instruments : 1 bayan solo De profundis für bajan solo : for bayan solo [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur  . -  H.S.8742 . - Hamburg : Musikverlag Hans Sikorski, cop. 1991 . - 1 partition (15 p.) ; 30 cm. ISBN : 979-0-00-304099-8 : 23,40€ In one movement. With performance notes in German and English. The bayan is a kind of Russian accordion. Of advanced difficulty. Duration ca. 12 minutes. Langues : Anglais (eng) Allemand (ger) Catégories : Accordéon bajan Résumé : In the field of New Music, Sofia Gubaidulina's “De profundis” has already achieved the status of a classic. It is not only an attainment of the New Music that instruments are capable of approaching the human voice in their sound, or that they can imitate areas of expression found in language and linguistic articulation. But the avant-garde has surely expanded the spectrum to a considerable extent. The piece for solo bayan is an impressive example of this. The listener witnesses a slow and inexorable intensification from the “rattling” of the lowest accordion register up to the pure, tender tones of the highest register. It is “anascent from the lowest to the highest, from the breath and soul to the world's soul or wisdom”, as Gubaidulina's friend and colleague Viktor Suslin once expressed it. With the means of sound, Gubaidulina transfers a symbol of life onto the music: breathing. Breathing distinguishes the living from the dead. What other instrument, other than the winds, perhaps, could better lendexpression to this characteristic than the accordion? In contrast to the wind instruments, however, the accordion is not an instrument into which the player breathes and creates breathing sounds - instead, the instrument itself assumes this function. It breathes through the pulling apart and pressing together of the bellows. As the basis of her composition, Gubaidulina chose the lines of the Psalm 130 “From the depths, o Lord, I call to you” for the characterisation of her interlaced message. Shadowy chorale melodies are occasionally heard, but the fundamental idea of ascent remains decisive. Sharp insertions and expressive gestures, intrusive glissandi and nervous vibrati repeatedly disturb the direction of movement. And then we hear consciously the integrated breathing of the instrument - breathing slightly, hardly audible, opposing the powerful chord blocks. The musicologist Valentina Cholopova once said of this: “All these sounds confront solemn chords richly ornamented with figurations, but there is also a long, monodic melody running through the entire symbolic path of the work - from the depths all the way up to the brilliant heights.” The work is dedicated to Friedrich Lips! Instruments : 1 bayan solo

Réservation

Réserver ce document

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
1014936	8-ACC GUB PRO	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible

Satschidao für Violoncello und Bajan / Sulkhan Tsintsadze

Public ISBD Titre : Satschidao für Violoncello und Bajan : aus "Fünf Stücke" für Violoncello und Klavier Titre original : Sachidao for violoncello and bayan Type de document : partition musicale imprimée Auteurs : Sulkhan Tsintsadze (1925-1991), Compositeur ; Elsbeth Moser, Arrangeur Mention d'édition : H.S.2417 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 2011 Importance : 2 partitions (3a, 8 p.) Format : 30 cm ISBN/ISSN/EAN : 979-0-00-303908-4 Prix : 18,40€ Langues : Allemand (ger) Anglais (eng) Catégories : bajan Bayan Violoncelle Instruments : 1 violoncello + 1 bayan Satschidao für Violoncello und Bajan = Sachidao for violoncello and bayan : aus "Fünf Stücke" für Violoncello und Klavier [partition musicale imprimée] / Sulkhan Tsintsadze (1925-1991), Compositeur ; Elsbeth Moser, Arrangeur  . -  H.S.2417 . - Hamburg : Musikverlag Hans Sikorski, cop. 2011 . - 2 partitions (3a, 8 p.) ; 30 cm. ISBN : 979-0-00-303908-4 : 18,40€ Langues : Allemand (ger) Anglais (eng) Catégories : bajan Bayan Violoncelle Instruments : 1 violoncello + 1 bayan

Réservation

Réserver ce document

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
1014284	8-ACC TSI SAC	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible

Silenzio / Sofia Gubaidulina

Public ISBD Titre : Silenzio : 5 pièces pour bayan, violon et violoncelle Type de document : partition musicale imprimée Auteurs : Sofia Gubaidulina (1931-), Compositeur Mention d'édition : H.S.1942 Editeur : Hamburg : Musikverlag Hans Sikorski Année de publication : cop. 1996 Importance : 3 partitions (12, 12, 17 p.) Format : 42 cm ISBN/ISSN/EAN : 979-0-00-302829-3 Note générale : Durée : 20'00" Langues : Allemand (ger) Anglais (eng) Catégories : bajan Trio Violon Violoncelle Instruments : 1 bajan/1 violon/1 violoncelle Silenzio : 5 pièces pour bayan, violon et violoncelle [partition musicale imprimée] / Sofia Gubaidulina (1931-), Compositeur  . -  H.S.1942 . - Hamburg : Musikverlag Hans Sikorski, cop. 1996 . - 3 partitions (12, 12, 17 p.) ; 42 cm. ISBN : 979-0-00-302829-3 Durée : 20'00" Langues : Allemand (ger) Anglais (eng) Catégories : bajan Trio Violon Violoncelle Instruments : 1 bajan/1 violon/1 violoncelle

Réservation

Réserver ce document

Exemplaires

Code-barres	Cote	Support	Localisation	Section	Disponibilité
1007897	MC-3 DIV / GUB SIL	Partition musicale	Bibliothèque ARTS². Musique	Musique de chambre	Disponible