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The Audiovisual Chord / Martine Huvenne 

Public ISBD Titre : The Audiovisual Chord : Embodied Listening in Film Type de document : texte imprimé Auteurs : Martine Huvenne, Auteur Editeur : Vienne ; New-York : Springer verlag Année de publication : cop. 2022 Collection : Palgrave studies in sound, ISSN 2633-5875 Importance : 1 vol. (317 p.) Présentation : ill. en noir Format : 22 cm ISBN/ISSN/EAN : 978-981-19-4806-0 Prix : 139,49€ Note générale : This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. Langues : Anglais (eng) Catégories : Corps (mouvement) Musique et cinéma Musique et culture Sociologie de la musique Son Son -- Enregistrement et reproduction Note de contenu : Introduction.- Part I.- "The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.".- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion. En ligne : https://link.springer.com/book/10.1007/978-981-19-4807-7 The Audiovisual Chord : Embodied Listening in Film [texte imprimé] / Martine Huvenne, Auteur . - Palgrave macmillan, cop. 2022 . - 1 vol. (317 p.) : ill. en noir ; 22 cm. - (Palgrave studies in sound, ISSN 2633-5875) . ISBN : 978-981-19-4806-0 : 139,49€ This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world. Langues : Anglais (eng) Catégories : Corps (mouvement) Musique et cinéma Musique et culture Sociologie de la musique Son Son -- Enregistrement et reproduction Note de contenu : Introduction.- Part I.- "The wind blows wherever it pleases. You hear its sound, but you cannot tell where it comes from or where it is going.".- Audiovisual perception: the audiovisual contract, heautonomy of sound and image and filmic listening.- Phenomenology, an introductionv.- Part II.- A phenomenological approach to audiovisual experience in practice.- Thinking in movement, and different ways to create space in film sound.- The audiovisual chord, an invitation to the audience to interact.- Part III.- Embodied listening, felt sound and the audiovisual chord in film history.- The audiovisual chord in relation to film as an audiovisual composition.- The importance of embodied (panic) listening in film as an audiovisual composition.- A phenomenological approach to film sound and film at the basis of film-making.- Conclusion. En ligne : https://link.springer.com/book/10.1007/978-981-19-4807-7

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1015055	78:31 AUD HUV	Livre	Bibliothèque ARTS². Musique	Documentaires	Disponible