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Auteur Franz Liszt (1811-1886)
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Ajouter le résultat dans votre panier Faire une suggestion Affiner la rechercheConcerto n° 2 pour Piano en La Majeur / Franz Liszt
Titre : Concerto n° 2 pour Piano en La Majeur Type de document : partition musicale imprimée Auteurs : Franz Liszt (1811-1886), Compositeur Editeur : London ; Zurich : Mainz : New York : Ernst Eulenburg Importance : 1 partition (108 p.p) Format : 19 cm ISBN/ISSN/EAN : EE 3265 Note générale : Première repr. 1857 Catégories : Orchestre
PianoInstruments : 3.2.2.2/2.2.2.0 + timb. + piano + cordes Concerto n° 2 pour Piano en La Majeur [partition musicale imprimée] / Franz Liszt (1811-1886), Compositeur . - London ; Zurich : Mainz : New York : Ernst Eulenburg, [s.d.] . - 1 partition (108 p.p) ; 19 cm.
ISSN : EE 3265
Première repr. 1857
Catégories : Orchestre
PianoInstruments : 3.2.2.2/2.2.2.0 + timb. + piano + cordes Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1012095 8-X LIS CON 2 Partition musicale Bibliothèque ARTS². Musique Partitions de poche Disponible Concerto No. 1 in Eb major for the piano / Franz Liszt
Titre : Concerto No. 1 in Eb major for the piano Titre original : Concerto pour piano n°1 en Mib Majeur Type de document : partition musicale imprimée Auteurs : Franz Liszt (1811-1886), Compositeur ; Rafael Joseffy, Editeur scientifique Mention d'édition : 16989 Editeur : New-York : Schirmer Année de publication : cop. 1932 Importance : 1 partition (55 p.) Format : 30 cm ISBN/ISSN/EAN : 1057 Note générale : Description by Robert Cummings [-]
The genesis of Liszt's Piano Concerto No. 1 in E flat major dates to 1830, when the composer sketched out the main theme in a notebook. It wasn't until the 1840s, however, that Liszt actually commenced work on the concerto. As a neophyte in the art of orchestration -- his output to that point consisted almost entirely of keyboard music -- Liszt enlisted the assistance of his pupil Joachim Raff in providing the work an instrumental skin. Liszt completed the concerto in 1849 but made a number of revisions over the next several years. The final version of the work dates from 1856.
The concerto's three main sections -- Allegro maestoso, Quasi adagio-Allegretto vivace-Allegro animato, and Allegro marziale animato -- are joined seamlessly into a single large-scale structure. The opening statement, characterized by a bold, almost martial chromatic descent, contains the essential elements from which all subsequent thematic material is derived. The piano enters with a dramatic passage in characteristic Lisztian octaves, after which the main theme reappears in a more tranquil guise. The second subject in introduced in the piano, after which a dialogue between piano and clarinet ensues. The sweetness of the mood suddenly gives way to intensity as the main theme makes a dramatic, almost angry reappearance.
The second section begins with a quiet cantabile melody in the muted strings. After the piano takes up the theme, the mood grows restive with mercurial, dramatic statements from the orchestra that alternate with quasi-improvisatory passages in the piano. The tempo picks up as the flute, and then oboe and clarinet, take up the theme. Lyricism gives way to a more lighthearted spirit, signaled by a pair of delicate strokes on the triangle. (The prominence of this instrument in the latter portion of the work, in fact, elicited derisive commentary from a number of critics. Eduard Hanslick, for example, leapt on this feature in describing the work as Liszt's "Triangle Concerto.") The piano introduces a lively, playful theme in its upper register; other instruments gradually join the texture as the triangle continues to chime in with jovial comment. The mood darkens with the reappearance of the concerto's opening theme, as though to suggest a return to that musical sequence of events. Instead, the piano introduces the final section, which commences with a sped-up version of the cantabile theme from the second section. Other earlier themes reappear in various guises as the triangle continues to add its color throughout. Alternating between intricate passagework and thunderous octaves, the concerto draws to a close in the bravura manner with which Liszt is so closely associated.Langues : Anglais (eng) Catégories : Duo
Instruments à clavier
PianoNote de contenu : 1. Allegro maestoso
2. Quasi adagio
3. Allegretto vivace
4. Allegro marziale animatoInstruments : 2 pianos, 4 mains Concerto No. 1 in Eb major for the piano = Concerto pour piano n°1 en Mib Majeur [partition musicale imprimée] / Franz Liszt (1811-1886), Compositeur ; Rafael Joseffy, Editeur scientifique . - 16989 . - New-York : Schirmer, cop. 1932 . - 1 partition (55 p.) ; 30 cm.
ISSN : 1057
Description by Robert Cummings [-]
The genesis of Liszt's Piano Concerto No. 1 in E flat major dates to 1830, when the composer sketched out the main theme in a notebook. It wasn't until the 1840s, however, that Liszt actually commenced work on the concerto. As a neophyte in the art of orchestration -- his output to that point consisted almost entirely of keyboard music -- Liszt enlisted the assistance of his pupil Joachim Raff in providing the work an instrumental skin. Liszt completed the concerto in 1849 but made a number of revisions over the next several years. The final version of the work dates from 1856.
The concerto's three main sections -- Allegro maestoso, Quasi adagio-Allegretto vivace-Allegro animato, and Allegro marziale animato -- are joined seamlessly into a single large-scale structure. The opening statement, characterized by a bold, almost martial chromatic descent, contains the essential elements from which all subsequent thematic material is derived. The piano enters with a dramatic passage in characteristic Lisztian octaves, after which the main theme reappears in a more tranquil guise. The second subject in introduced in the piano, after which a dialogue between piano and clarinet ensues. The sweetness of the mood suddenly gives way to intensity as the main theme makes a dramatic, almost angry reappearance.
The second section begins with a quiet cantabile melody in the muted strings. After the piano takes up the theme, the mood grows restive with mercurial, dramatic statements from the orchestra that alternate with quasi-improvisatory passages in the piano. The tempo picks up as the flute, and then oboe and clarinet, take up the theme. Lyricism gives way to a more lighthearted spirit, signaled by a pair of delicate strokes on the triangle. (The prominence of this instrument in the latter portion of the work, in fact, elicited derisive commentary from a number of critics. Eduard Hanslick, for example, leapt on this feature in describing the work as Liszt's "Triangle Concerto.") The piano introduces a lively, playful theme in its upper register; other instruments gradually join the texture as the triangle continues to chime in with jovial comment. The mood darkens with the reappearance of the concerto's opening theme, as though to suggest a return to that musical sequence of events. Instead, the piano introduces the final section, which commences with a sped-up version of the cantabile theme from the second section. Other earlier themes reappear in various guises as the triangle continues to add its color throughout. Alternating between intricate passagework and thunderous octaves, the concerto draws to a close in the bravura manner with which Liszt is so closely associated.
Langues : Anglais (eng)
Catégories : Duo
Instruments à clavier
PianoNote de contenu : 1. Allegro maestoso
2. Quasi adagio
3. Allegretto vivace
4. Allegro marziale animatoInstruments : 2 pianos, 4 mains Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1013871 MC-2 PIA / LIS CON 1 Partition musicale Bibliothèque ARTS². Musique Musique de chambre Disponible Concerto No. 2 in A major two pianos, four hands / Franz Liszt
Titre : Concerto No. 2 in A major two pianos, four hands Titre original : Concerto n° 2 en La majeur pour 2 pianos, 4 mains Type de document : partition musicale imprimée Auteurs : Franz Liszt (1811-1886), Compositeur ; Rafael Joseffy, Editeur scientifique Mention d'édition : 17446 Editeur : New-York : Schirmer Année de publication : cop. 1932 Collection : Schirmer's library of musical classics num. Vol. 1058 Importance : 1 partition (67 p.) Format : 30 cm ISBN/ISSN/EAN : Vol. 1058 Langues : Anglais (eng) Catégories : Duo
Instruments à clavier
Piano (4 mains)Note de contenu : 1 movement/4 main sections:
1. Adagio sostenuto assai - Allegro agitato assai - Un poco più mosso - Tempo del andante 2. Allegro moderato -
3. Allegro deciso - Marziale un poco meno allegro - Un poco animato - Un poco meno mosso
4. Allegro animatoInstruments : 2 pianos 4 mains Concerto No. 2 in A major two pianos, four hands = Concerto n° 2 en La majeur pour 2 pianos, 4 mains [partition musicale imprimée] / Franz Liszt (1811-1886), Compositeur ; Rafael Joseffy, Editeur scientifique . - 17446 . - Schirmer, cop. 1932 . - 1 partition (67 p.) ; 30 cm. - (Schirmer's library of musical classics; Vol. 1058) .
ISSN : Vol. 1058
Langues : Anglais (eng)
Catégories : Duo
Instruments à clavier
Piano (4 mains)Note de contenu : 1 movement/4 main sections:
1. Adagio sostenuto assai - Allegro agitato assai - Un poco più mosso - Tempo del andante 2. Allegro moderato -
3. Allegro deciso - Marziale un poco meno allegro - Un poco animato - Un poco meno mosso
4. Allegro animatoInstruments : 2 pianos 4 mains Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1013877 MC-2 PIA4 / LIS CON 2 Partition musicale Bibliothèque ARTS². Musique Musique de chambre Disponible Concerto pour piano n°1 en Mib Majeur / Franz Liszt
Titre : Concerto pour piano n°1 en Mib Majeur Type de document : partition musicale imprimée Auteurs : Franz Liszt (1811-1886), Compositeur Editeur : London ; Zurich : Mainz : New York : Ernst Eulenburg Collection : Eulenburgs kleine Partitur-Ausgabe num. 710 Importance : 1 partition (110 p.) Format : 19 cm ISBN/ISSN/EAN : EE 3814 Catégories : Orchestre Instruments : 3.2.2.2/2.2.3.0 + timb. + piano + cordes Concerto pour piano n°1 en Mib Majeur [partition musicale imprimée] / Franz Liszt (1811-1886), Compositeur . - Ernst Eulenburg, [s.d.] . - 1 partition (110 p.) ; 19 cm. - (Eulenburgs kleine Partitur-Ausgabe; 710) .
ISSN : EE 3814
Catégories : Orchestre Instruments : 3.2.2.2/2.2.3.0 + timb. + piano + cordes Réservation
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Code-barres Cote Support Localisation Section Disponibilité 1011382 8-X LIS CON 1 Partition musicale Bibliothèque ARTS². Musique Partitions de poche Disponible Consolations et rêves d'amour pour piano / Franz Liszt
Titre : Consolations et rêves d'amour pour piano Titre original : Consolations und Liebestraüme für Klavier zu 2 Händen Type de document : partition musicale imprimée Auteurs : Franz Liszt (1811-1886), Compositeur ; Emil von Sauer, Editeur scientifique Editeur : Leipzig : Peters Importance : 1 partition (37 p.) Format : 31 cm Catégories : Piano Note de contenu : 1. Consolations
2. Liebestraüme
- Notturno I : Hohe Lieb
- Notturno II : Seliger Tod
- Notturno III : "O Lieb"Consolations et rêves d'amour pour piano = Consolations und Liebestraüme für Klavier zu 2 Händen [partition musicale imprimée] / Franz Liszt (1811-1886), Compositeur ; Emil von Sauer, Editeur scientifique . - Leipzig : Peters, [s.d.] . - 1 partition (37 p.) ; 31 cm.
Catégories : Piano Note de contenu : 1. Consolations
2. Liebestraüme
- Notturno I : Hohe Lieb
- Notturno II : Seliger Tod
- Notturno III : "O Lieb"Réservation
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