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The cambridge companion to the cello / Robin Stowell

Public ISBD Titre : The cambridge companion to the cello Type de document : texte imprimé Auteurs : Robin Stowell, Editeur scientifique Editeur : New-york : Cambridge University Press Année de publication : 2007 Importance : 1 vol. (268 p.) Présentation : ill. Format : 25 cm ISBN/ISSN/EAN : 978-0-521-62928-7 Prix : 43,80€ Note générale : Bibliogr. p. 246-252. - Index Langues : Anglais (eng) Catégories : Histoire Instruments de musique -- Histoire et Facture Violoncelle Résumé : This is a compact, composite and authoritative survey of the history and development of the cello and its repertory since the origins of the instrument. The volume comprises thirteen essays, written by a team of nine distinguished scholars and performers, and is intended to develop the cello's historical perspective in breadth and from every relevant angle, offering as comprehensive a coverage as possible. It focuses in particular on four principal areas: the instrument's structure, development and fundamental acoustical principles; the careers of the most distinguished cellists since the baroque era; the cello repertory (including chapters devoted to the concerto, the sonata, other solo repertory, and ensemble music); and its technique, teaching methods and relevant aspects of historical and performance practice. It is the most comprehensive book ever to be published about the instrument and provides essential information for performers, students and teachers. (4e de couv.) The cambridge companion to the cello [texte imprimé] / Robin Stowell, Editeur scientifique . - New-york : Cambridge University Press, 2007 . - 1 vol. (268 p.) : ill. ; 25 cm. ISBN : 978-0-521-62928-7 : 43,80€ Bibliogr. p. 246-252. - Index Langues : Anglais (eng) Catégories : Histoire Instruments de musique -- Histoire et Facture Violoncelle Résumé : This is a compact, composite and authoritative survey of the history and development of the cello and its repertory since the origins of the instrument. The volume comprises thirteen essays, written by a team of nine distinguished scholars and performers, and is intended to develop the cello's historical perspective in breadth and from every relevant angle, offering as comprehensive a coverage as possible. It focuses in particular on four principal areas: the instrument's structure, development and fundamental acoustical principles; the careers of the most distinguished cellists since the baroque era; the cello repertory (including chapters devoted to the concerto, the sonata, other solo repertory, and ensemble music); and its technique, teaching methods and relevant aspects of historical and performance practice. It is the most comprehensive book ever to be published about the instrument and provides essential information for performers, students and teachers. (4e de couv.)

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One hundred years of violoncello / Valerie Walden

Public ISBD Titre : One hundred years of violoncello : a history of technique and performance practice, 1740-1840 Type de document : texte imprimé Auteurs : Valerie Walden, Auteur Editeur : New-york : Cambridge University Press Année de publication : 2004 Collection : Cambridge musical texts and monographs Importance : 1 vol. (311 p.) Présentation : ill. Format : 25 cm ISBN/ISSN/EAN : 978-0-521-60761-2 Note générale : Bibliogr. p. 300-305. - Index Langues : Anglais (eng) Catégories : Instruments de musique -- Histoire et Facture Violoncelle Résumé : This is the first book to address the full range of performance issues for the cello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions are traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters and pictures, Walden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills and the stylistic preferences of the most famous soloists. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music. (4e de couv.) Note de contenu : Introduction 1. Violoncello and schools of performance 2. Development of the violoncello 3. The bow grip and instrument hold 4. The development of fingering techniques 5. Bow strokes and their execution 6. Special effects 7. Rules of ornamentation 8. The art of accompaniment 9. Elements of aesthetics and style One hundred years of violoncello : a history of technique and performance practice, 1740-1840 [texte imprimé] / Valerie Walden, Auteur . - Cambridge University Press, 2004 . - 1 vol. (311 p.) : ill. ; 25 cm. - (Cambridge musical texts and monographs) . ISBN : 978-0-521-60761-2 Bibliogr. p. 300-305. - Index Langues : Anglais (eng) Catégories : Instruments de musique -- Histoire et Facture Violoncelle Résumé : This is the first book to address the full range of performance issues for the cello from the Baroque to the early Romantic period. The development of playing techniques and stylistic transitions are traced regionally through a comparison of Italian, French, German, English, and East European performance traits. Through a close study of contemporary violoncello methods, music, early instruments, periodicals, diaries, letters and pictures, Walden provides a cohesive overview which examines construction methods for instruments and bows, fingering and bowing techniques, special effects and ornamentation, accompanying skills and the stylistic preferences of the most famous soloists. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music. (4e de couv.) Note de contenu : Introduction 1. Violoncello and schools of performance 2. Development of the violoncello 3. The bow grip and instrument hold 4. The development of fingering techniques 5. Bow strokes and their execution 6. Special effects 7. Rules of ornamentation 8. The art of accompaniment 9. Elements of aesthetics and style

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Bach and the Meanings of counterpoint / David Yearsley

Public ISBD Titre : Bach and the Meanings of counterpoint Type de document : texte imprimé Auteurs : David Yearsley, Auteur Editeur : New-york : Cambridge University Press Année de publication : cop. 2002 Importance : 1 vol. (257 p.) Format : 23 cm ISBN/ISSN/EAN : 978-0-521-80346-5 Langues : Anglais (eng) Catégories : Bach, Johann Sebastian (1685-1750) Contrepoint Oeuvres Résumé : In Bach's Germany musical counterpoint was an art involving much more than the sophisticated use of advanced compositional techniques. A range of theological, cultural, social and political meanings attached themselves to the use of complex procedures such as canon and double counterpoint. This book explores the significance of Bach's counterpoint in a range of interrelated contexts: its use as a means of reflecting on death; its parallels to alchemy; its vexed status in the galant music culture of the first half of the eighteenth century; its value as a representation of political power; and its central importance in the creation of Bach's image in the nineteenth and twentieth centuries. Touching on a wide array of contemporary literary, philosophical, critical, and musical texts, the book includes new readings of many of Bach's late works in order to re-evaluate the status and meaning of counterpoint in Bach's work and legacy. Note de contenu : Vor deinen Thron and the art of dying -- Alchemy of Bach's Canons -- Bach's taste for pork and canary -- Autocratic regimes of A musical offering -- Bach the machine -- Physiognomies of Bach's counterpoint. Bach and the Meanings of counterpoint [texte imprimé] / David Yearsley, Auteur . - New-york : Cambridge University Press, cop. 2002 . - 1 vol. (257 p.) ; 23 cm. ISBN : 978-0-521-80346-5 Langues : Anglais (eng) Catégories : Bach, Johann Sebastian (1685-1750) Contrepoint Oeuvres Résumé : In Bach's Germany musical counterpoint was an art involving much more than the sophisticated use of advanced compositional techniques. A range of theological, cultural, social and political meanings attached themselves to the use of complex procedures such as canon and double counterpoint. This book explores the significance of Bach's counterpoint in a range of interrelated contexts: its use as a means of reflecting on death; its parallels to alchemy; its vexed status in the galant music culture of the first half of the eighteenth century; its value as a representation of political power; and its central importance in the creation of Bach's image in the nineteenth and twentieth centuries. Touching on a wide array of contemporary literary, philosophical, critical, and musical texts, the book includes new readings of many of Bach's late works in order to re-evaluate the status and meaning of counterpoint in Bach's work and legacy. Note de contenu : Vor deinen Thron and the art of dying -- Alchemy of Bach's Canons -- Bach's taste for pork and canary -- Autocratic regimes of A musical offering -- Bach the machine -- Physiognomies of Bach's counterpoint.

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Ernst Kurth : Selected writings / Lee. A. Rothfarb

Public ISBD Titre : Ernst Kurth : Selected writings Type de document : texte imprimé Auteurs : Lee. A. Rothfarb, Auteur Editeur : New-york : Cambridge University Press Année de publication : 1991 Importance : 1 vol. (235 p.) Format : 23 cm ISBN/ISSN/EAN : 978-0-521-02824-0 Note générale : Langues : Anglais (eng) Catégories : Kurth, Ernst (1886-1946) Oeuvres Résumé : This book provides a selection of annotated translations from Ernst Kurth's three best-known publications: Grundlagen des linearen Kontrapunkts (1917), Romantische Harmonik und ihre Krise in Wagners 'Tristan' (1920), and Bruckner (1925). Kurth's contemporaries considered these books to be pioneering studies in the music of J. S. Bach, Wagner and Bruckner. Professor Rothfarb's extensive introductory essay discusses the intellectual and socio-cultural environment in which Kurth was writing, referring to aspects of the early twentieth-century cultural renewal movements and to intellectual developments of the day in phenomenology, aesthetics and psychology. By reading Kurth against the cultural-intellectual background provided in the essay and commentaries, today's music historians and theorists can round out their picture of music theory in the early twentieth century. (4e de couv.) Ernst Kurth : Selected writings [texte imprimé] / Lee. A. Rothfarb, Auteur . - New-york : Cambridge University Press, 1991 . - 1 vol. (235 p.) ; 23 cm. ISBN : 978-0-521-02824-0 Langues : Anglais (eng) Catégories : Kurth, Ernst (1886-1946) Oeuvres Résumé : This book provides a selection of annotated translations from Ernst Kurth's three best-known publications: Grundlagen des linearen Kontrapunkts (1917), Romantische Harmonik und ihre Krise in Wagners 'Tristan' (1920), and Bruckner (1925). Kurth's contemporaries considered these books to be pioneering studies in the music of J. S. Bach, Wagner and Bruckner. Professor Rothfarb's extensive introductory essay discusses the intellectual and socio-cultural environment in which Kurth was writing, referring to aspects of the early twentieth-century cultural renewal movements and to intellectual developments of the day in phenomenology, aesthetics and psychology. By reading Kurth against the cultural-intellectual background provided in the essay and commentaries, today's music historians and theorists can round out their picture of music theory in the early twentieth century. (4e de couv.)

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Music in medieval and early modern Europe / Iain Fenlon

Public ISBD Titre : Music in medieval and early modern Europe : patronage, sources and texts Type de document : texte imprimé Auteurs : Iain Fenlon, Editeur scientifique Editeur : New-york : Cambridge University Press Année de publication : 1981 Importance : 1 vol. (409 p.) Format : 24 cm ISBN/ISSN/EAN : 978-0-521-23328-6 Langues : Français (fre) Catégories : Histoire de la musique Musique -- 16e siècle Musique -- Moyen âge Renaissance Music in medieval and early modern Europe : patronage, sources and texts [texte imprimé] / Iain Fenlon, Editeur scientifique . - New-york : Cambridge University Press, 1981 . - 1 vol. (409 p.) ; 24 cm. ISBN : 978-0-521-23328-6 Langues : Français (fre) Catégories : Histoire de la musique Musique -- 16e siècle Musique -- Moyen âge Renaissance

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Debussy in proportion / Roy Howat

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