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Concerto en Ré Majeur pour violon et orchestre : Op. 77 / Johannes Brahms

Public ISBD Titre : Concerto en Ré Majeur pour violon et orchestre : Op. 77 : réduction piano Type de document : partition musicale imprimée Auteurs : Johannes Brahms (1833-1897), Compositeur ; Clive Brown, Editeur scientifique Editeur : Kassel : Bärenreiter Urtext Année de publication : 2006 Importance : 4 partitions (3 part.+1 dir.) Format : 31 cm ISBN/ISSN/EAN : 979-0-00-652616-1 Prix : 23,10€ Note générale : Durée : 38'. - Préface de Clive Brown Catégories : Piano (réduction) Violon Note de contenu : 1. partie violon prinpal 2. partie violon principal d'après l'édition revue par Brahms de 1905 3. Cadences Concerto en Ré Majeur pour violon et orchestre : Op. 77 : réduction piano [partition musicale imprimée] / Johannes Brahms (1833-1897), Compositeur ; Clive Brown, Editeur scientifique . - Kassel : Bärenreiter Urtext, 2006 . - 4 partitions (3 part.+1 dir.) ; 31 cm. ISBN : 979-0-00-652616-1 : 23,10€ Durée : 38'. - Préface de Clive Brown Catégories : Piano (réduction) Violon Note de contenu : 1. partie violon prinpal 2. partie violon principal d'après l'édition revue par Brahms de 1905 3. Cadences

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Sonate pour violon et piano en Ré mineur Op. 108 / Johannes Brahms

Public ISBD Titre : Sonate pour violon et piano en Ré mineur Op. 108 Titre original : Sonate in D minor für Violine und Klavier op. 108 Type de document : partition musicale imprimée Auteurs : Johannes Brahms (1833-1897), Compositeur ; Clive Brown, Arrangeur ; Clive Brown, Editeur scientifique ; Neal Peres Da Costa, Editeur scientifique Mention d'édition : BA 9433 Editeur : Kassel ; Londres ; New York : Bärenreiter Année de publication : cop. 2015 Collection : Brahms Bärenteiter Urtext Importance : 3 partitions (10, 10, 36 p.) Format : 31 cm ISBN/ISSN/EAN : 979-0-00-654433-2 Prix : 14,40€ Note générale : Durée : 21'00" Brahms composed his Violin Sonata in D minor during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms‘ contemporaries. An important part of this edition is the Preface. Firstly it informs about the work's origin, early performances, its publication history as well as early reception. Truly remarkable is the unique detailed Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the work. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. - A pioneering Urtext edition - With an unmarked Urtext part - With a second part including fingering and bowing based on the practices of contemporaries of Brahms - With an extensive Performance Practice Commentary Langues : Allemand (ger) Anglais (eng) Catégories : Piano Violon Résumé : Preface Performance Practice Commentary Vorwort Hinweise zur Aufführungspraxis Composer / Author: Brahms, Johannes Sonata D minor op. 108· Critical Report Note de contenu : 4 movements I. Allegro (D minor) II. Adagio (D major) III. Un poco presto e con sentimento (F♯ minor) IV. Presto agitato (D minor) Instruments : 1 violon + 1 piano Sonate pour violon et piano en Ré mineur Op. 108 = Sonate in D minor für Violine und Klavier op. 108 [partition musicale imprimée] / Johannes Brahms (1833-1897), Compositeur ; Clive Brown, Arrangeur ; Clive Brown, Editeur scientifique ; Neal Peres Da Costa, Editeur scientifique  . -  BA 9433 . - Bärenreiter, cop. 2015 . - 3 partitions (10, 10, 36 p.) ; 31 cm. - (Brahms Bärenteiter Urtext) . ISBN : 979-0-00-654433-2 : 14,40€ Durée : 21'00" Brahms composed his Violin Sonata in D minor during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms‘ contemporaries. An important part of this edition is the Preface. Firstly it informs about the work's origin, early performances, its publication history as well as early reception. Truly remarkable is the unique detailed Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, piano pedalling and overholding, piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the work. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. - A pioneering Urtext edition - With an unmarked Urtext part - With a second part including fingering and bowing based on the practices of contemporaries of Brahms - With an extensive Performance Practice Commentary Langues : Allemand (ger) Anglais (eng) Catégories : Piano Violon Résumé : Preface Performance Practice Commentary Vorwort Hinweise zur Aufführungspraxis Composer / Author: Brahms, Johannes Sonata D minor op. 108· Critical Report Note de contenu : 4 movements I. Allegro (D minor) II. Adagio (D major) III. Un poco presto e con sentimento (F♯ minor) IV. Presto agitato (D minor) Instruments : 1 violon + 1 piano

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Sonaten für Klavier und Violine : Vol. 1 / Ludwig von Beethoven 

Public ISBD Titre : Sonaten für Klavier und Violine : Vol. 1 Titre original : Sonatas for Pianoforte and Violin : Vol. 1 Type de document : partition musicale imprimée Auteurs : Ludwig von Beethoven (1770-1827), Auteur ; Clive Brown, Editeur scientifique Editeur : Kassel ; Londres ; New York : Bärenreiter Année de publication : cop. 2020 Collection : Beethoven Bärenreiter Urtext num. BA 9014 Importance : 3 partitions (151, 49, 49 p.) Format : 31 cm ISBN/ISSN/EAN : 979-0-00-653296-4 Prix : 43,90€ Note générale : Volume I - First edition with complete Critical Commentary and description of sources - With information on the genesis, Beethoven’s notation, metronome markings, and with the ground-breaking Performing Practice Commentary (online resource) - With two solo violin parts (Urtext and historically annotated) Langues : Anglais (eng) Allemand (ger) Catégories : Piano Sonate Violon Résumé : Beethoven’s ten sonatas for violin and piano are among the most famous works of chamber music history and represent, together with Mozart’s works for this combination, the core of violin repertoire from the Viennese Classicist period. Clive Brown’s ground-breaking new edition combines a scholarly Urtext approach with the provision of a wealth of information on historical performing practice, all conveniently united in one practical edition. It is the first scholarly-critical edition to include a complete Critical Commentary and a description of all relevant sources. This first volume (BA 9014) contains the first five sonatas: the Sonatas in D major, A major, and E-flat major opp. 12, nos. 1–3, the Sonata in A minor op. 23, and the Sonata in F major op. 24 (“Spring”). Additionally, it offers a detailed introduction by Clive Brown, the chapter “Reading between the lines of Beethoven’s notation” (German/English), as well as information on historical metronome markings and the Critical Commentary (English). This edition consists of a score and two individual parts for the violin: an Urtext part based on the scholarly-critical assessment of all sources, and an annotated part with fingering and bowing by Clive Brown based on the thorough study of historical techniques and practices. The pivotal Performing Practice Commentary by Clive Brown and Neal Peres Da Costa is available online, supplementing information on performing practice for each Sonata and each movement in this volume. It discusses conventions of both violin and piano playing in Beethoven’s period, describes historical contexts and advises on phrasing and technique based on the evaluation of historical editions (s.a. von Czerny, Ferdinand David, Alard, Diémer, Grützmacher, Reinecke, Brodsky, Joachim, Rosé, Halir, Kreisler etc.). Note de contenu : · Sonatas for Pianoforte and Violin op. 12,1 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 12,2 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 12,3 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 23 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 24 Instrumentation: Piano, Violin · Zur Edition · Composer / Author: Beethoven, Ludwig van Sonate in D op. 12, Nr. 1 · Composer / Author: Beethoven, Ludwig van Sonate in A op. 12, Nr. 2 · Composer / Author: Beethoven, Ludwig van Sonate in Es op. 12, Nr. 3 · Composer / Author: Beethoven, Ludwig van Sonate in a op. 23 · Composer / Author: Beethoven, Ludwig van Sonate in F op. 24 · Early Perfoming Editions and Historical Metronome Marks · Critical Report Instruments : 1 violon + 1 piano En ligne : https://www.baerenreiter.com/en/shop/product/details/BA9014/ Sonaten für Klavier und Violine : Vol. 1 = Sonatas for Pianoforte and Violin : Vol. 1 [partition musicale imprimée] / Ludwig von Beethoven (1770-1827), Auteur ; Clive Brown, Editeur scientifique . - Bärenreiter, cop. 2020 . - 3 partitions (151, 49, 49 p.) ; 31 cm. - (Beethoven Bärenreiter Urtext; BA 9014) . ISBN : 979-0-00-653296-4 : 43,90€ Volume I - First edition with complete Critical Commentary and description of sources - With information on the genesis, Beethoven’s notation, metronome markings, and with the ground-breaking Performing Practice Commentary (online resource) - With two solo violin parts (Urtext and historically annotated) Langues : Anglais (eng) Allemand (ger) Catégories : Piano Sonate Violon Résumé : Beethoven’s ten sonatas for violin and piano are among the most famous works of chamber music history and represent, together with Mozart’s works for this combination, the core of violin repertoire from the Viennese Classicist period. Clive Brown’s ground-breaking new edition combines a scholarly Urtext approach with the provision of a wealth of information on historical performing practice, all conveniently united in one practical edition. It is the first scholarly-critical edition to include a complete Critical Commentary and a description of all relevant sources. This first volume (BA 9014) contains the first five sonatas: the Sonatas in D major, A major, and E-flat major opp. 12, nos. 1–3, the Sonata in A minor op. 23, and the Sonata in F major op. 24 (“Spring”). Additionally, it offers a detailed introduction by Clive Brown, the chapter “Reading between the lines of Beethoven’s notation” (German/English), as well as information on historical metronome markings and the Critical Commentary (English). This edition consists of a score and two individual parts for the violin: an Urtext part based on the scholarly-critical assessment of all sources, and an annotated part with fingering and bowing by Clive Brown based on the thorough study of historical techniques and practices. The pivotal Performing Practice Commentary by Clive Brown and Neal Peres Da Costa is available online, supplementing information on performing practice for each Sonata and each movement in this volume. It discusses conventions of both violin and piano playing in Beethoven’s period, describes historical contexts and advises on phrasing and technique based on the evaluation of historical editions (s.a. von Czerny, Ferdinand David, Alard, Diémer, Grützmacher, Reinecke, Brodsky, Joachim, Rosé, Halir, Kreisler etc.). Note de contenu : · Sonatas for Pianoforte and Violin op. 12,1 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 12,2 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 12,3 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 23 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 24 Instrumentation: Piano, Violin · Zur Edition · Composer / Author: Beethoven, Ludwig van Sonate in D op. 12, Nr. 1 · Composer / Author: Beethoven, Ludwig van Sonate in A op. 12, Nr. 2 · Composer / Author: Beethoven, Ludwig van Sonate in Es op. 12, Nr. 3 · Composer / Author: Beethoven, Ludwig van Sonate in a op. 23 · Composer / Author: Beethoven, Ludwig van Sonate in F op. 24 · Early Perfoming Editions and Historical Metronome Marks · Critical Report Instruments : 1 violon + 1 piano En ligne : https://www.baerenreiter.com/en/shop/product/details/BA9014/

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Sonaten für Klavier und Violine : Vol. 2 / Ludwig von Beethoven 

Public ISBD Titre : Sonaten für Klavier und Violine : Vol. 2 Titre original : Sonatas for Pianoforte and Violin : Vol. 2 Type de document : partition musicale imprimée Auteurs : Ludwig von Beethoven (1770-1827), Auteur ; Clive Brown, Editeur scientifique Editeur : Kassel ; Londres ; New York : Bärenreiter Année de publication : cop. 2020 Collection : Beethoven Bärenreiter Urtext num. BA 9015 Importance : 3 partitions (210, 64, 64 p.) Format : 31 cm ISBN/ISSN/EAN : 979-0-00-653297-1 Prix : 43,90€ Note générale : Sonatas for Pianoforte and Violin Volume II - First edition with complete Critical Commentary and description of sources - With information on the genesis, Beethoven’s notation, metronome markings, and with the ground-breaking Performing Practice Commentary (online resource) - With two solo violin parts (Urtext and historically annotated) Langues : Anglais (eng) Allemand (ger) Catégories : Piano Sonate Violon Résumé : Beethoven’s ten sonatas for violin and piano are among the most famous works of chamber music history and represent, together with Mozart’s works for this combination, the core of violin repertoire from the Viennese Classicist period. Clive Brown’s ground-breaking new edition combines a scholarly Urtext approach with the provision of a wealth of information on historical performing practice, all conveniently united in one practical edition. It is the first scholarly-critical edition to include a complete Critical Commentary and a description of all relevant sources. This second volume (BA 9015) contains five sonatas: the Sonatas in A major, C minor, and G major opp. 30, nos. 1–3, the Sonata in A major op. 47 (“Kreutzer”), and the Sonata in G major op. 96 (“Spring”). Additionally, it offers a detailed introduction by Clive Brown, the chapter “Reading between the lines of Beethoven’s notation” (German/English), as well as information on historical metronome markings and the Critical Commentary (English). This edition consists of a score and two individual parts for the violin: an Urtext part based on the scholarly-critical assessment of all sources, and an annotated part with fingering and bowing by Clive Brown based on the thorough study of historical techniques and practices. The pivotal Performing Practice Commentary by Clive Brown and Neal Peres Da Costa is available online, supplementing information on performing practice for each Sonata and each movement in this volume. It discusses conventions of both violin and piano playing in Beethoven’s period, describes historical contexts and advises on phrasing and technique based on the evaluation of historical editions (s.a. von Czerny, Ferdinand David, Alard, Diémer, Grützmacher, Reinecke, Brodsky, Joachim, Rosé, Halir, Kreisler etc.). Note de contenu : · Sonatas for Pianoforte and Violin op. 30,1 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 30,2 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 30,3 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 47 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 96 Instrumentation: Piano, Violin · Zur Edition · Composer / Author: Beethoven, Ludwig van Sonate in A op. 30, Nr. 1 · Composer / Author: Beethoven, Ludwig van Sonate in c op. 30, Nr. 2 · Composer / Author: Beethoven, Ludwig van Sonate in G op. 30, Nr. 3 · Composer / Author: Beethoven, Ludwig van Sonate in A op. 47 · Composer / Author: Beethoven, Ludwig van Sonate in G op. 96 · Early Perfoming Editions and Historical Metronome Marks · Critical Report Instruments : 1 violon + 1 piano En ligne : https://www.baerenreiter.com/en/shop/product/details/BA9015/ Sonaten für Klavier und Violine : Vol. 2 = Sonatas for Pianoforte and Violin : Vol. 2 [partition musicale imprimée] / Ludwig von Beethoven (1770-1827), Auteur ; Clive Brown, Editeur scientifique . - Bärenreiter, cop. 2020 . - 3 partitions (210, 64, 64 p.) ; 31 cm. - (Beethoven Bärenreiter Urtext; BA 9015) . ISBN : 979-0-00-653297-1 : 43,90€ Sonatas for Pianoforte and Violin Volume II - First edition with complete Critical Commentary and description of sources - With information on the genesis, Beethoven’s notation, metronome markings, and with the ground-breaking Performing Practice Commentary (online resource) - With two solo violin parts (Urtext and historically annotated) Langues : Anglais (eng) Allemand (ger) Catégories : Piano Sonate Violon Résumé : Beethoven’s ten sonatas for violin and piano are among the most famous works of chamber music history and represent, together with Mozart’s works for this combination, the core of violin repertoire from the Viennese Classicist period. Clive Brown’s ground-breaking new edition combines a scholarly Urtext approach with the provision of a wealth of information on historical performing practice, all conveniently united in one practical edition. It is the first scholarly-critical edition to include a complete Critical Commentary and a description of all relevant sources. This second volume (BA 9015) contains five sonatas: the Sonatas in A major, C minor, and G major opp. 30, nos. 1–3, the Sonata in A major op. 47 (“Kreutzer”), and the Sonata in G major op. 96 (“Spring”). Additionally, it offers a detailed introduction by Clive Brown, the chapter “Reading between the lines of Beethoven’s notation” (German/English), as well as information on historical metronome markings and the Critical Commentary (English). This edition consists of a score and two individual parts for the violin: an Urtext part based on the scholarly-critical assessment of all sources, and an annotated part with fingering and bowing by Clive Brown based on the thorough study of historical techniques and practices. The pivotal Performing Practice Commentary by Clive Brown and Neal Peres Da Costa is available online, supplementing information on performing practice for each Sonata and each movement in this volume. It discusses conventions of both violin and piano playing in Beethoven’s period, describes historical contexts and advises on phrasing and technique based on the evaluation of historical editions (s.a. von Czerny, Ferdinand David, Alard, Diémer, Grützmacher, Reinecke, Brodsky, Joachim, Rosé, Halir, Kreisler etc.). Note de contenu : · Sonatas for Pianoforte and Violin op. 30,1 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 30,2 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 30,3 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 47 Instrumentation: Piano, Violin · Sonatas for Pianoforte and Violin op. 96 Instrumentation: Piano, Violin · Zur Edition · Composer / Author: Beethoven, Ludwig van Sonate in A op. 30, Nr. 1 · Composer / Author: Beethoven, Ludwig van Sonate in c op. 30, Nr. 2 · Composer / Author: Beethoven, Ludwig van Sonate in G op. 30, Nr. 3 · Composer / Author: Beethoven, Ludwig van Sonate in A op. 47 · Composer / Author: Beethoven, Ludwig van Sonate in G op. 96 · Early Perfoming Editions and Historical Metronome Marks · Critical Report Instruments : 1 violon + 1 piano En ligne : https://www.baerenreiter.com/en/shop/product/details/BA9015/

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Sonaten in F und Es für Violine und Klaviere Op. 120 / Johannes Brahms

Public ISBD Titre : Sonaten in F und Es für Violine und Klaviere Op. 120 Titre original : Sonatas in F minor and E-flat major for Violin and Piano Op. 120 Type de document : partition musicale imprimée Auteurs : Johannes Brahms (1833-1897), Compositeur ; Clive Brown, Arrangeur ; Clive Brown, Editeur scientifique ; Neal Peres Da Costa, Editeur scientifique Mention d'édition : BA 10911 Editeur : Kassel ; Londres ; New York : Bärenreiter Année de publication : cop. 2016 Collection : Brahms Bärenteiter Urtext Importance : 3 partitions (17, 17, 63 p.) Format : 31 cm ISBN/ISSN/EAN : 979-0-00-655886-5 Prix : 27,20€ Note générale : Brahms had already announced his „retirement“ from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld’s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin, a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions have developed a rich performance tradition, the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players‘ hands. An important part of this edition is the extensive preface. Firstly it informs about the sonatas‘ origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, Piano pedalling and overholding, Piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. A pioneering Urtext edition With an unmarked Urtext part With a second part including fingering and bowing based on the practices of contemporaries of Brahms With an extensive Performance Practice Commentary Langues : Allemand (ger) Anglais (eng) Catégories : Piano Violon Note de contenu : - Sonate op 120 n° 1 en fa mineur - Sonate op 120 n° 2 en Mi bémol majeur Instruments : 1 violon + 1 piano Sonaten in F und Es für Violine und Klaviere Op. 120 = Sonatas in F minor and E-flat major for Violin and Piano Op. 120 [partition musicale imprimée] / Johannes Brahms (1833-1897), Compositeur ; Clive Brown, Arrangeur ; Clive Brown, Editeur scientifique ; Neal Peres Da Costa, Editeur scientifique  . -  BA 10911 . - Bärenreiter, cop. 2016 . - 3 partitions (17, 17, 63 p.) ; 31 cm. - (Brahms Bärenteiter Urtext) . ISBN : 979-0-00-655886-5 : 27,20€ Brahms had already announced his „retirement“ from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld’s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works for Viola from the beginning and already before the publication of these two versions he intended to do another one for Violin, a version which was to require changes and was to result in an independent edition. While the Clarinet and Viola versions have developed a rich performance tradition, the Violin version is almost unknown. Yet for the Violin version the composer revised the original Clarinet part much more extensively than he did for the Viola version and also rewrote the Piano part to achieve a thoroughly convincing Violin and Piano idiom. This Bärenreiter edition aims to bring the neglected Violin Sonatas Op. 120 back into players‘ hands. An important part of this edition is the extensive preface. Firstly it informs about the sonatas‘ origins, their compositional process, pre-publication performances, their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death, a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners, treatises and essays, early instructive editions and historical recordings, the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing, dynamics and accentuation, dots and strokes, slurring and non legato, Piano pedalling and overholding, Piano arpeggiation and dislocation, string instrument fingering, string instrument harmonics and vibrato, the editors provide an indispensable assistance for a historically informed interpretation of the works. At the same time, the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general. A pioneering Urtext edition With an unmarked Urtext part With a second part including fingering and bowing based on the practices of contemporaries of Brahms With an extensive Performance Practice Commentary Langues : Allemand (ger) Anglais (eng) Catégories : Piano Violon Note de contenu : - Sonate op 120 n° 1 en fa mineur - Sonate op 120 n° 2 en Mi bémol majeur Instruments : 1 violon + 1 piano

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