Analyse des sonates pour piano de L. van Beethoven / Léon Moeremans

Public ISBD Titre : Analyse des sonates pour piano de L. van Beethoven : ouvrage à l'usage des pianistes et des compositeurs Type de document : texte imprimé Auteurs : Léon Moeremans, Auteur Editeur : Gand : Maison Cnudde Année de publication : 1931 Importance : 1 vol. (150 p.) Format : 28 cm Langues : Français (fre) Catégories : Beethoven, Ludwig van (1770-1827) Oeuvres Sonate Analyse des sonates pour piano de L. van Beethoven : ouvrage à l'usage des pianistes et des compositeurs [texte imprimé] / Léon Moeremans, Auteur . - Gand : Maison Cnudde, 1931 . - 1 vol. (150 p.) ; 28 cm. Langues : Français (fre) Catégories : Beethoven, Ludwig van (1770-1827) Oeuvres Sonate

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Elements of sonata theory / James Hepokoski

Public ISBD Titre : Elements of sonata theory : Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata Type de document : texte imprimé Auteurs : James Hepokoski, Auteur ; Warren Darcy, Auteur Editeur : Londres : Oxford University Press Année de publication : cop. 2006 Importance : 1 vol. (661 p.) Format : 26 cm ISBN/ISSN/EAN : 978-0-19-977391-6 Prix : 94,90€ Langues : Anglais (eng) Catégories : Ecriture et théorie musicale Formes musicales Musique -- 18e siècle Notation musicale Sonate Note de contenu : Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, andconcertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated asconstellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may beassessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and ofgrasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos. Elements of sonata theory : Norms, Types, and Deformations in the Late-Eighteenth-Century Sonata [texte imprimé] / James Hepokoski, Auteur ; Warren Darcy, Auteur . - Londres : Oxford University Press, cop. 2006 . - 1 vol. (661 p.) ; 26 cm. ISBN : 978-0-19-977391-6 : 94,90€ Langues : Anglais (eng) Catégories : Ecriture et théorie musicale Formes musicales Musique -- 18e siècle Notation musicale Sonate Note de contenu : Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, andconcertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated asconstellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may beassessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and ofgrasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.

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Sonata forms / Charles Rosen

Public ISBD Titre : Sonata forms : revised Edition Type de document : texte imprimé Auteurs : Charles Rosen, Auteur Editeur : Londres ; New-York : W.W. Norton Année de publication : cop. 1988 Importance : 1 vol. (415 p.) Présentation : ill. en noir Format : 24 cm ISBN/ISSN/EAN : 978-0-393-30219-6 Prix : 35,90€ Note générale : Charles Rosen says of sonata form: "[It] is not a definite form like a minuet, a da capo aria, or a French overture; it is, like the fugue, a way of writing, a feeling for proportion, direction, and texture rather than a pattern." Langues : Anglais (eng) Catégories : Analyse musicale Sonate Résumé : Rosen's book, now in a revised edition, is a follow-up to his classic "Classical Style," and it helps to be acquainted with the earlier work, or at least to be somewhat accustomed to the author's elaborate and occasionally repetitive prose and his habit of illustrating the discussion with copious, lengthy musical examples. The early chapters explain the author's choice of the plural for the title and distinguish his view of the sonata structure as opposed to the single form dictated by nineteenth-century authorities such as Czerny. Particularly interesting, if not altogether coherent, is the attempt to relate the rise of use of sonata principles by composers to the rise in prestige of instrumental music. A couple of chapters on sonata-form predecessors (aria, concerto, other works by early Italians such as Scarlatti and Sammartini) are succeeded by generally lucid discussions on motivic development and the component parts of fully developed sonata form: exposition, development, recapitulation, and coda. The last part of the book examines how sonata structure has continued to influence and at times frustrate post-Classical composers. Sonata forms : revised Edition [texte imprimé] / Charles Rosen, Auteur . - Londres ; New-York : W.W. Norton, cop. 1988 . - 1 vol. (415 p.) : ill. en noir ; 24 cm. ISBN : 978-0-393-30219-6 : 35,90€ Charles Rosen says of sonata form: "[It] is not a definite form like a minuet, a da capo aria, or a French overture; it is, like the fugue, a way of writing, a feeling for proportion, direction, and texture rather than a pattern." Langues : Anglais (eng) Catégories : Analyse musicale Sonate Résumé : Rosen's book, now in a revised edition, is a follow-up to his classic "Classical Style," and it helps to be acquainted with the earlier work, or at least to be somewhat accustomed to the author's elaborate and occasionally repetitive prose and his habit of illustrating the discussion with copious, lengthy musical examples. The early chapters explain the author's choice of the plural for the title and distinguish his view of the sonata structure as opposed to the single form dictated by nineteenth-century authorities such as Czerny. Particularly interesting, if not altogether coherent, is the attempt to relate the rise of use of sonata principles by composers to the rise in prestige of instrumental music. A couple of chapters on sonata-form predecessors (aria, concerto, other works by early Italians such as Scarlatti and Sammartini) are succeeded by generally lucid discussions on motivic development and the component parts of fully developed sonata form: exposition, development, recapitulation, and coda. The last part of the book examines how sonata structure has continued to influence and at times frustrate post-Classical composers.

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Sonatas for violin and piano : Vol. 1 / Ludwig von Beethoven

Public ISBD Titre : Sonatas for violin and piano : Vol. 1 Type de document : partition musicale imprimée Auteurs : Ludwig von Beethoven (1770-1827), Auteur ; Leo Weiner, Arrangeur Editeur : Editio Musica Budapest Année de publication : cop. 1962 Importance : 2 partitions (34, 120 p.) Format : 30 cm ISBN/ISSN/EAN : Z.3364 Langues : Anglais (eng) Allemand (ger) Hongrois (hun) Catégories : Piano Sonate Violon Note de contenu : · Sonatas for Violin and piano op. 12,1 · Sonatas for Violin and piano op. 12,2 · Sonatas for Violin and piano op. 12,3 · Sonatas for Violin and piano op. 23 · Sonatas for Violin and piano op. 24 Instruments : 1 violon + 1 piano Sonatas for violin and piano : Vol. 1 [partition musicale imprimée] / Ludwig von Beethoven (1770-1827), Auteur ; Leo Weiner, Arrangeur . - [S.l.] : Editio Musica Budapest, cop. 1962 . - 2 partitions (34, 120 p.) ; 30 cm. ISSN : Z.3364 Langues : Anglais (eng) Allemand (ger) Hongrois (hun) Catégories : Piano Sonate Violon Note de contenu : · Sonatas for Violin and piano op. 12,1 · Sonatas for Violin and piano op. 12,2 · Sonatas for Violin and piano op. 12,3 · Sonatas for Violin and piano op. 23 · Sonatas for Violin and piano op. 24 Instruments : 1 violon + 1 piano

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Sonatas for violin and piano : Vol. 2 / Ludwig von Beethoven

Public ISBD Titre : Sonatas for violin and piano : Vol. 2 Type de document : partition musicale imprimée Auteurs : Ludwig von Beethoven (1770-1827), Compositeur ; Leo Weiner, Arrangeur Editeur : Editio Musica Budapest Année de publication : cop. 1962 Importance : 2 partitions (43, 151 p.) Format : 30 cm ISBN/ISSN/EAN : Z.3365 Langues : Anglais (eng) Allemand (ger) Hongrois (hun) Catégories : Piano Sonate Violon Note de contenu : · Sonatas for Violin and piano op. 30,1 · Sonatas for Violin and piano op. 30,2 · Sonatas for Violin and piano op. 30,3 · Sonatas for Violin and piano op. 47 · Sonatas for Violin and piano op. 96 Instruments : 1 violon + 1 piano Sonatas for violin and piano : Vol. 2 [partition musicale imprimée] / Ludwig von Beethoven (1770-1827), Compositeur ; Leo Weiner, Arrangeur . - [S.l.] : Editio Musica Budapest, cop. 1962 . - 2 partitions (43, 151 p.) ; 30 cm. ISSN : Z.3365 Langues : Anglais (eng) Allemand (ger) Hongrois (hun) Catégories : Piano Sonate Violon Note de contenu : · Sonatas for Violin and piano op. 30,1 · Sonatas for Violin and piano op. 30,2 · Sonatas for Violin and piano op. 30,3 · Sonatas for Violin and piano op. 47 · Sonatas for Violin and piano op. 96 Instruments : 1 violon + 1 piano

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La sonate / Sylvette Milliot

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Sonate n°2 pour 2 pianos / Willem Pelemans

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Sonaten für Klavier und Violine : Vol. 1 / Ludwig von Beethoven 

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Sonaten für Klavier und Violine : Vol. 2 / Ludwig von Beethoven 

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