Titre :	Violin concerto : Listening Lab - Materials for communicating music
Type de document :	texte imprimé
Auteurs :	Alban Berg (1885-1935), Compositeur ; Constanze Wimmer, Editeur scientifique ; Helmut Schmindinger, Editeur scientifique
Mention d'édition :	UE 26315
Editeur :	Londres, Vienne, Zurich : Universal Edition
Année de publication :	cop. 2014
Collection :	Listening lab num. 1
Importance :	1 vol. (67 p.)
Présentation :	ill. en noir + notations musicales
Format :	31 cm
ISBN/ISSN/EAN :	978-3-7024-7222-1
Prix :	59,90€
Langues :	Anglais (eng) Allemand (ger)
Catégories :	Analyse musicale Concerto Violon
Note de contenu :	Listening Lab is a new series that offers practical and inspiring approaches for children, young people and adults. The present volume considers the Violin Concerto by Alban Berg and aims to help facilitate these journeys. In the subsequent concert, listeners themselves may realize that this is music "from another world" while coming to understand much more - based on their new insights into Alban Berg's Violin Concerto. Various contextual issues in this work combine to play a part in its unique success and these are examined in the workbook. "To the Memory of an Angel" focuses on Manon Gropius, the work's dedicatee who died very young, while prompting listeners to consider their own thoughts on life's transience. Berg develops the opening of his concerto from the violin's own characteristic - tuning in fifths. The chapter "Tuning Up" continues with this subject and invites workshop participants to find fifths using their own voices. In the chapter "Musical Portraits", participants use Berg's musical depiction of Manon Gropius as inspiration to create their own twelve-tone row as a self-portrait. They then use these rows to improvise. A feature of the Violin Concerto is its inclusion of two quotes that seem like "foreign objects": the Bach chorale "Es ist genug" (It is Enough) and the Carinthian folksong A Bird Sat in a Plum Tree. The chapter "Foreign Objects" explores this theme and presents a range of possibilities, from group chorale to folksong singing. "Alban Berg in Vienna Around 1900" focuses on Berg's special position in the 2nd Viennese School. Historical facts and discussions about the arts of the day provide a springboard to the exploration of individual attitudes and the discovery of connections between the present and the past. Finally, the Violin Concerto once again becomes the centre of attention. "A Concerto for Violin and Orchestra" uses the voice and various improvisational approaches to look at the relationship between the soloist and the group.
En ligne :	https://www.universaledition.com/en/preview/9e666197a9de89823c0792e0834f25d9

Violin concerto : Listening Lab - Materials for communicating music [texte imprimé] / Alban Berg (1885-1935), Compositeur ; Constanze Wimmer, Editeur scientifique ; Helmut Schmindinger, Editeur scientifique  . -  UE 26315 . - Universal Edition, cop. 2014 . - 1 vol. (67 p.) : ill. en noir + notations musicales ; 31 cm. - (Listening lab; 1) .
ISBN : 978-3-7024-7222-1 : 59,90€
Langues : Anglais (eng) Allemand (ger)

Catégories :	Analyse musicale Concerto Violon
Note de contenu :	Listening Lab is a new series that offers practical and inspiring approaches for children, young people and adults. The present volume considers the Violin Concerto by Alban Berg and aims to help facilitate these journeys. In the subsequent concert, listeners themselves may realize that this is music "from another world" while coming to understand much more - based on their new insights into Alban Berg's Violin Concerto. Various contextual issues in this work combine to play a part in its unique success and these are examined in the workbook. "To the Memory of an Angel" focuses on Manon Gropius, the work's dedicatee who died very young, while prompting listeners to consider their own thoughts on life's transience. Berg develops the opening of his concerto from the violin's own characteristic - tuning in fifths. The chapter "Tuning Up" continues with this subject and invites workshop participants to find fifths using their own voices. In the chapter "Musical Portraits", participants use Berg's musical depiction of Manon Gropius as inspiration to create their own twelve-tone row as a self-portrait. They then use these rows to improvise. A feature of the Violin Concerto is its inclusion of two quotes that seem like "foreign objects": the Bach chorale "Es ist genug" (It is Enough) and the Carinthian folksong A Bird Sat in a Plum Tree. The chapter "Foreign Objects" explores this theme and presents a range of possibilities, from group chorale to folksong singing. "Alban Berg in Vienna Around 1900" focuses on Berg's special position in the 2nd Viennese School. Historical facts and discussions about the arts of the day provide a springboard to the exploration of individual attitudes and the discovery of connections between the present and the past. Finally, the Violin Concerto once again becomes the centre of attention. "A Concerto for Violin and Orchestra" uses the voice and various improvisational approaches to look at the relationship between the soloist and the group.
En ligne :	https://www.universaledition.com/en/preview/9e666197a9de89823c0792e0834f25d9