Titre :	Trios für Klavier, Violine und Violoncello Op. 1
Titre original :	Trios for Pianoforte, Violin and Violoncello Op. 1
Type de document :	partition musicale imprimée
Auteurs :	Ludwig von Beethoven (1770-1827), Compositeur ; Jonathan Del Mar, Editeur scientifique
Mention d'édition :	BA 10943
Editeur :	Kassel ; Londres ; New York : Bärenreiter
Année de publication :	cop. 2023
Collection :	Beethoven Bärenreiter Urtext
Importance :	3 partitions (33, 33, 154 p.)
Format :	31 cm
ISBN/ISSN/EAN :	979-0-00-657542-8
Prix :	59,90€
Note générale :	Artaria had already published variations on a Mozart aria by Beethoven in 1793 under the highly symbolic opus number 1. However, the composer was not satisfied with this work and ensured that the opus number was transferred to another group of works which appeared in 1795, the three Piano Trios op. 1. His hope that these compositions would be worthy of his “opus 1” and would make quite some impression was to be fulfilled. The list of the subscribers to the first printed edition of the trios is impressive because it includes influential aristocrats, many of whom were connected to Haydn as the dedicatees of his works. Apparently Haydn lent a helping hand here to his former student. Also Haydn’s compositional influence on Beethoven can be found in many aspects of the trios. However, ultimately it will have been the innovative elements that astonished and delighted the audience of early Vienna: the virtuosity and scope of the unusually large-scale works, the unprecedented extended coda of the outer movements, the radicality of the dynamic contrasts and the introduction of remote keys as a means of musical expression. In order to clarify some unclear readings, the editor and Beethoven specialist Jonathan Del Mar consulted Beethoven’s markings in his op. 104 (an arrangement of the Trio op. 1, no. 3) – a source that has not been taken into consideration for any previous edition of this trio.
Langues :	Allemand (ger) Anglais (eng)
Catégories :	Piano Trio Violon Violoncelle
Note de contenu :	- Introduction : Donat, Misha - Preface : Del Mar, Jonathan - Einleitung : Donat, Misha - Vorwort : Del Mar, Jonathan - Trio in Es / in E flat major op. 1 no. 1 Allegro Adagio cantabile Scherzo: Allegro assai Finale: Presto - Trio in G / in G major op. 1 no. 2 Adagio – Allegro vivace Largo con espressione Scherzo: Allegro Finale: Presto - Trio in c / in C minor op. 1 no. 3 Allegro con brio Andante cantabile con Variazioni Menuetto quasi Allegro Finale: Prestissimo - Facsimiles - Signs and conventions - Sources - Critical Commentary - Appendices - Bibliography
Instruments :	1 violon + 1 violoncelle + 1 piano

Trios für Klavier, Violine und Violoncello Op. 1 = Trios for Pianoforte, Violin and Violoncello Op. 1 [partition musicale imprimée] / Ludwig von Beethoven (1770-1827), Compositeur ; Jonathan Del Mar, Editeur scientifique  . -  BA 10943 . - Bärenreiter, cop. 2023 . - 3 partitions (33, 33, 154 p.) ; 31 cm. - (Beethoven Bärenreiter Urtext) .
ISBN : 979-0-00-657542-8 : 59,90€
Artaria had already published variations on a Mozart aria by Beethoven in 1793 under the highly symbolic opus number 1. However, the composer was not satisfied with this work and ensured that the opus number was transferred to another group of works which appeared in 1795, the three Piano Trios op. 1. His hope that these compositions would be worthy of his “opus 1” and would make quite some impression was to be fulfilled.

The list of the subscribers to the first printed edition of the trios is impressive because it includes influential aristocrats, many of whom were connected to Haydn as the dedicatees of his works. Apparently Haydn lent a helping hand here to his former student. Also Haydn’s compositional influence on Beethoven can be found in many aspects of the trios. However, ultimately it will have been the innovative elements that astonished and delighted the audience of early Vienna: the virtuosity and scope of the unusually large-scale works, the unprecedented extended coda of the outer movements, the radicality of the dynamic contrasts and the introduction of remote keys as a means of musical expression.

In order to clarify some unclear readings, the editor and Beethoven specialist Jonathan Del Mar consulted Beethoven’s markings in his op. 104 (an arrangement of the Trio op. 1, no. 3) – a source that has not been taken into consideration for any previous edition of this trio.
Langues : Allemand (ger) Anglais (eng)

Catégories :	Piano Trio Violon Violoncelle
Note de contenu :	- Introduction : Donat, Misha - Preface : Del Mar, Jonathan - Einleitung : Donat, Misha - Vorwort : Del Mar, Jonathan - Trio in Es / in E flat major op. 1 no. 1 Allegro Adagio cantabile Scherzo: Allegro assai Finale: Presto - Trio in G / in G major op. 1 no. 2 Adagio – Allegro vivace Largo con espressione Scherzo: Allegro Finale: Presto - Trio in c / in C minor op. 1 no. 3 Allegro con brio Andante cantabile con Variazioni Menuetto quasi Allegro Finale: Prestissimo - Facsimiles - Signs and conventions - Sources - Critical Commentary - Appendices - Bibliography
Instruments :	1 violon + 1 violoncelle + 1 piano