| Titre : | Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart and Beethoven | | Type de document : | texte imprimé | | Auteurs : | William E. Caplin, Auteur | | Editeur : | Londres : Oxford University Press | | Année de publication : | cop. 1998 | | Importance : | 1 vol. (307 p.) | | Format : | 31 cm | | ISBN/ISSN/EAN : | 978-0-19-514399-7 | | Note générale : | bibliogr. p. 289-292. Index | | Langues : | Anglais (eng) | | Catégories : | Analyse musicale
Beethoven, Ludwig van (1770-1827)
Forme classique
Formes musicales
Haydn, Joseph (1732-1809)
Mozart, Wolfgang Amadeus (1756-1791)
| | Résumé : | Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
(4e de couv.) |
Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart and Beethoven [texte imprimé] / William E. Caplin, Auteur . - Londres : Oxford University Press, cop. 1998 . - 1 vol. (307 p.) ; 31 cm. ISBN : 978-0-19-514399-7 bibliogr. p. 289-292. Index Langues : Anglais ( eng) | Catégories : | Analyse musicale
Beethoven, Ludwig van (1770-1827)
Forme classique
Formes musicales
Haydn, Joseph (1732-1809)
Mozart, Wolfgang Amadeus (1756-1791)
| | Résumé : | Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
(4e de couv.) |
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