Titre :	Ottone, Opera in tre atti : Version of the first performance 1723
Type de document :	partition musicale imprimée
Auteurs :	Georg Friedrich Handel (1651-1730), Compositeur ; Nicola Francesco Haym, Librettiste ; Stefano Benedetto Pallavicini, Auteur ; Andreas Köhs, Arrangeur
Mention d'édition :	BA 4077a
Editeur :	Kassel ; Londres ; New York : Bärenreiter
Année de publication :	cop. 2010
Collection :	Händel Bärenreiter Urtext num. HMW 15
ISBN/ISSN/EAN :	979-0-00-653973-4
Note générale :	First critical edition based on the Urtext of the Halle Handel Edition Additional numbers from later performances included in the appendix Foreword (Ger/Eng) Handel completed his opera “Ottone” in August 1722, but the first performance did not take place until January 1723 in the Haymarket Theatre, London; the composer had waited so long for the famous soprano Francesca Cuzzoni who he had in mind for the role of Teofane. “Ottone” was an immediate success from the beginning, not only for its top-class cast but also because of its formal and musical structure. It received numerous revivals until 1733. Stylistically, “Ottone” follows in the Neapolitan opera tradition with emotionally charged arias as the principal vehicles of expression, whilst the plot is carried forward in the secco recitatives. The dramatic action is interpreted and intensified through the choice of arias and keys. The vocal score is based on volume II/12 of the “Halle Handel Edition” (BA 4077), which contains the complete critical musical text of the opera for the first time.
Langues :	Allemand (ger) Anglais (eng)
Catégories :	Opéra (chant) Piano (réduction)
Note de contenu :	Ensemble Vorwort/Preface Index of Scenes Ouverture Atto primo / Erster Akt Atto secondo / Zweiter Akt Atto terzo / Dritter Akt
En ligne :	https://www.stretta-music.ch/fr/haendel-ottone-hwv-15-nr-564545.html

Ottone, Opera in tre atti : Version of the first performance 1723 [partition musicale imprimée] / Georg Friedrich Handel (1651-1730), Compositeur ; Nicola Francesco Haym, Librettiste ; Stefano Benedetto Pallavicini, Auteur ; Andreas Köhs, Arrangeur  . -  BA 4077a . - Bärenreiter, cop. 2010. - (Händel Bärenreiter Urtext; HMW 15) .
ISBN : 979-0-00-653973-4
First critical edition based on the Urtext of the Halle Handel Edition
Additional numbers from later performances included in the appendix
Foreword (Ger/Eng)
Handel completed his opera “Ottone” in August 1722, but the first performance did not take place until January 1723 in the Haymarket Theatre, London; the composer had waited so long for the famous soprano Francesca Cuzzoni who he had in mind for the role of Teofane. “Ottone” was an immediate success from the beginning, not only for its top-class cast but also because of its formal and musical structure. It received numerous revivals until 1733.

Stylistically, “Ottone” follows in the Neapolitan opera tradition with emotionally charged arias as the principal vehicles of expression, whilst the plot is carried forward in the secco recitatives. The dramatic action is interpreted and intensified through the choice of arias and keys.

The vocal score is based on volume II/12 of the “Halle Handel Edition” (BA 4077), which contains the complete critical musical text of the opera for the first time.
Langues : Allemand (ger) Anglais (eng)

Catégories :	Opéra (chant) Piano (réduction)
Note de contenu :	Ensemble Vorwort/Preface Index of Scenes Ouverture Atto primo / Erster Akt Atto secondo / Zweiter Akt Atto terzo / Dritter Akt
En ligne :	https://www.stretta-music.ch/fr/haendel-ottone-hwv-15-nr-564545.html