Titre :	Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart and Beethoven
Type de document :	texte imprimé
Auteurs :	William E. Caplin, Auteur
Editeur :	Londres : Oxford University Press
Année de publication :	cop. 1998
Importance :	1 vol. (307 p.)
Format :	31 cm
ISBN/ISSN/EAN :	978-0-19-514399-7
Note générale :	bibliogr. p. 289-292. Index
Langues :	Anglais (eng)
Catégories :	Analyse musicale Beethoven, Ludwig van (1770-1827) Forme classique Formes musicales Haydn, Joseph (1732-1809) Mozart, Wolfgang Amadeus (1756-1791)
Résumé :	Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work. (4e de couv.)

Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart and Beethoven [texte imprimé] / William E. Caplin, Auteur . - Londres : Oxford University Press, cop. 1998 . - 1 vol. (307 p.) ; 31 cm.
ISBN : 978-0-19-514399-7
bibliogr. p. 289-292. Index
Langues : Anglais (eng)

Catégories :

Analyse musicale Beethoven, Ludwig van (1770-1827) Forme classique Formes musicales Haydn, Joseph (1732-1809) Mozart, Wolfgang Amadeus (1756-1791)

Résumé :

Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work. (4e de couv.)