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Romantic Sketchbook for Piano, Book II / Alan Jones

Public ISBD Titre : Romantic Sketchbook for Piano, Book II : 37 moderately easy pieces composed c.1825-c.1950 Type de document : partition musicale imprimée Auteurs : Alan Jones, Editeur scientifique Editeur : London : The Associated Board of the Royal School of Music Année de publication : cop. 1966 Importance : 1 partition (48 p.) Format : 31 cm ISBN/ISSN/EAN : 978-1-85472-716-9 Langues : Anglais (eng) Catégories : Piano Résumé : Note de contenu : "Study in A minor, Op. 340 No. 2" Performed by "Mayer, C." "Waltz in Ab, Op. 9 No. 3, D. 365/3" Performed by Franz Schubert "Study in A, Op. 37 No. 40" Performed by Henri Lemoine "Le Courante Limpide (The Clear Stream), Op. 100 No. 7" Performed by "Burgmüller, J. F." "Study in C minor, Op. 125 No. 16" Performed by "Heller, S." "Reaper's Song (Schnitterliedchen), Op. 68 No. 18" Performed by Robert Schumann "Christmas Bells, Op. 36 No. 1" Performed by Niels Vilhelm Gade "Miniature, Op. 62 No. 8" Performed by "Kirchner, T. F." "The Clock on the Wall, Op. 62 No. 2" Performed by "Kullak, Theodor" "Study in F, Op. 65 No. 25" Performed by Loeschhorn "Little Flower, Op. 205 No. 1" Performed by "Gurlitt, C." "Little Piece in E flat Performed by "Franck, C." "Scherzo, Op. 183 No. 5/3" Performed by Carl Reinecke "Cradle Song, Op. 66 No. 7" Performed by Edvard Grieg "Waltz in E, Op. 39 No. 5" Performed by Johannes Brahms "First Bunch of Flowers Performed by Sandré "Alla Siciliana, Op. 48 No. 2" Performed by Felix Alexandre Guilmant "Le matin en hiver (Winter morning), Op. 39 No. 2" Performed by Peter Ilyich Tchaikovsky "On the Lake, Op. 77 No. 12" Performed by "Hofmann, H." "Impression, Op. 41 No. 108" Performed by Zdenek Fibich" "Soldiers' March, Op. 47 No. 14" Performed by "Fuchs, R." "The Gossip, Op. 55 No. 4" Performed by Zilcher" "Balancelle (See-saw), Op. 149 Book 1 No. 4" Performed by Benjamin Godard" "Tylette (The Cat) Performed by Albanesi" "Village Merriment, Op. 105 No. 5" Performed by Schütt" "A Puzzle, Op. 25 No. 2" Performed by Karganov" "The Sailor Performed by Somervell" "Pastoral Scene, Op. 10 No. 1" Performed by Rebikov" "A little slow Waltz, Op. 11 No. 3" Performed by Nielsen" "At the Smithy, Op. 8 No. 5" Performed by Maikapar" "Study in G, Op. 36 No. 26" Performed by Gedike" "Study in G minor, Op. 73 Bk II No. 5" Performed by "Dunhill" "Prayer, Op. 43 No. 2" Performed by Glière "Miniature pastoral No. 2 Performed by Bridge "Donkey Ride: No. 1 from 'The Young Idea' Performed by Swinstead "Clowns, Op. 39 No. 20" Performed by Dmitri Kabalevsky The Lost Lamb: No. 1 from 'April Morn' Performed by Alwyn Romantic Sketchbook for Piano, Book II : 37 moderately easy pieces composed c.1825-c.1950 [partition musicale imprimée] / Alan Jones, Editeur scientifique . - London : The Associated Board of the Royal School of Music, cop. 1966 . - 1 partition (48 p.) ; 31 cm. ISBN : 978-1-85472-716-9 Langues : Anglais (eng) Catégories : Piano Résumé : Note de contenu : "Study in A minor, Op. 340 No. 2" Performed by "Mayer, C." "Waltz in Ab, Op. 9 No. 3, D. 365/3" Performed by Franz Schubert "Study in A, Op. 37 No. 40" Performed by Henri Lemoine "Le Courante Limpide (The Clear Stream), Op. 100 No. 7" Performed by "Burgmüller, J. F." "Study in C minor, Op. 125 No. 16" Performed by "Heller, S." "Reaper's Song (Schnitterliedchen), Op. 68 No. 18" Performed by Robert Schumann "Christmas Bells, Op. 36 No. 1" Performed by Niels Vilhelm Gade "Miniature, Op. 62 No. 8" Performed by "Kirchner, T. F." "The Clock on the Wall, Op. 62 No. 2" Performed by "Kullak, Theodor" "Study in F, Op. 65 No. 25" Performed by Loeschhorn "Little Flower, Op. 205 No. 1" Performed by "Gurlitt, C." "Little Piece in E flat Performed by "Franck, C." "Scherzo, Op. 183 No. 5/3" Performed by Carl Reinecke "Cradle Song, Op. 66 No. 7" Performed by Edvard Grieg "Waltz in E, Op. 39 No. 5" Performed by Johannes Brahms "First Bunch of Flowers Performed by Sandré "Alla Siciliana, Op. 48 No. 2" Performed by Felix Alexandre Guilmant "Le matin en hiver (Winter morning), Op. 39 No. 2" Performed by Peter Ilyich Tchaikovsky "On the Lake, Op. 77 No. 12" Performed by "Hofmann, H." "Impression, Op. 41 No. 108" Performed by Zdenek Fibich" "Soldiers' March, Op. 47 No. 14" Performed by "Fuchs, R." "The Gossip, Op. 55 No. 4" Performed by Zilcher" "Balancelle (See-saw), Op. 149 Book 1 No. 4" Performed by Benjamin Godard" "Tylette (The Cat) Performed by Albanesi" "Village Merriment, Op. 105 No. 5" Performed by Schütt" "A Puzzle, Op. 25 No. 2" Performed by Karganov" "The Sailor Performed by Somervell" "Pastoral Scene, Op. 10 No. 1" Performed by Rebikov" "A little slow Waltz, Op. 11 No. 3" Performed by Nielsen" "At the Smithy, Op. 8 No. 5" Performed by Maikapar" "Study in G, Op. 36 No. 26" Performed by Gedike" "Study in G minor, Op. 73 Bk II No. 5" Performed by "Dunhill" "Prayer, Op. 43 No. 2" Performed by Glière "Miniature pastoral No. 2 Performed by Bridge "Donkey Ride: No. 1 from 'The Young Idea' Performed by Swinstead "Clowns, Op. 39 No. 20" Performed by Dmitri Kabalevsky The Lost Lamb: No. 1 from 'April Morn' Performed by Alwyn

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Viola : Scales and arpegggios Book 1 / Marguerite Wilkinson

Public ISBD Titre : Viola : Scales and arpegggios Book 1 : Grades 2-5 Type de document : partition musicale imprimée Auteurs : Marguerite Wilkinson, Editeur scientifique Editeur : London : The Associated Board of the Royal School of Music Importance : 1 partition (12 p.) Format : 31 cm Langues : Anglais (eng) Catégories : Alto (violon) Gammes Mots-clés : arpèges Note de contenu : The examination requirements for scales and arpeggios given in this publication are applicable from 1985 onwards; but reference must always be made to the current syllabus, in case any changes have been made to the requirements. Separate bowing (one note to a bow) should be played simple detache. Slurred bowing should be a played legato, with the whole bow wherever possible. A firm, sonorous tone should be used. Scales and arpeggios should be played at a pace that is consistent with accuracy and distinctness and without undue accentuation. The candidate should aim for a tempo that is compatible with a clean and firm tone, vital rhythm, controlled bowing and good intonation. The fingering given in this publication is considered to be practical but it is not compulsory. Where two fingerings are indicated, that above the notes is usually for starting in the first position, with changes of position for the higher notes, that below the notes is usually for starting in a position other than the first and remaining in the position throughout the scale. The choice of fingering should be governed by the size of the instrument and the shape of the hand, so that accurate intonation can be achieved without strain. When in the first position, either an open string or the fourth finger may be used. Instruments : Alto Viola : Scales and arpegggios Book 1 : Grades 2-5 [partition musicale imprimée] / Marguerite Wilkinson, Editeur scientifique . - London : The Associated Board of the Royal School of Music, [s.d.] . - 1 partition (12 p.) ; 31 cm. Langues : Anglais (eng) Catégories : Alto (violon) Gammes Mots-clés : arpèges Note de contenu : The examination requirements for scales and arpeggios given in this publication are applicable from 1985 onwards; but reference must always be made to the current syllabus, in case any changes have been made to the requirements. Separate bowing (one note to a bow) should be played simple detache. Slurred bowing should be a played legato, with the whole bow wherever possible. A firm, sonorous tone should be used. Scales and arpeggios should be played at a pace that is consistent with accuracy and distinctness and without undue accentuation. The candidate should aim for a tempo that is compatible with a clean and firm tone, vital rhythm, controlled bowing and good intonation. The fingering given in this publication is considered to be practical but it is not compulsory. Where two fingerings are indicated, that above the notes is usually for starting in the first position, with changes of position for the higher notes, that below the notes is usually for starting in a position other than the first and remaining in the position throughout the scale. The choice of fingering should be governed by the size of the instrument and the shape of the hand, so that accurate intonation can be achieved without strain. When in the first position, either an open string or the fourth finger may be used. Instruments : Alto

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Viola : Scales and arpegggios Book 2 / Marguerite Wilkinson

Public ISBD Titre : Viola : Scales and arpegggios Book 2 : Grades 6-8 Type de document : partition musicale imprimée Auteurs : Marguerite Wilkinson, Editeur scientifique Editeur : London : The Associated Board of the Royal School of Music Année de publication : cop. 1985 Importance : 1 partition (22 p.) Format : 29 cm ISBN/ISSN/EAN : 978-1-85472-286-7 Note générale : Contains the various scales and arpeggios required for Grades 6-8. Langues : Anglais (eng) Catégories : Alto (violon) Gammes Mots-clés : arpèges Note de contenu : The examination requirements for scales and arpeggios given in this publication are applicable from 1985 onwards; but reference must always be made to the current syllabus, in case any changes have been made to the requirements. Separate bowing (one note to a bow) should be played simple detache. Slurred bowing should be played legato, with the whole bow wherever possible. A firm, sonorous tone should be used. Scales and arpeggios should be played at a pace that is consistent with accuracy and distinctness and without undue accentuation. the candidate should aim for a tempo that is compatible with a clean and firm tine, vital rhythm, controlled bowing and good intonation. The fingering given in this publication is considered to be practical but it is not compulsory. Where two fingerings are indicated, that above the notes is usually for starting on the C string, thus ensuring use of the higher positions on the lower strings; that below the notes is usually for starting in position with an alternative fingering provided. When in the first position, either an open string or the fourth finger may be used. Instruments : Alto Viola : Scales and arpegggios Book 2 : Grades 6-8 [partition musicale imprimée] / Marguerite Wilkinson, Editeur scientifique . - London : The Associated Board of the Royal School of Music, cop. 1985 . - 1 partition (22 p.) ; 29 cm. ISBN : 978-1-85472-286-7 Contains the various scales and arpeggios required for Grades 6-8. Langues : Anglais (eng) Catégories : Alto (violon) Gammes Mots-clés : arpèges Note de contenu : The examination requirements for scales and arpeggios given in this publication are applicable from 1985 onwards; but reference must always be made to the current syllabus, in case any changes have been made to the requirements. Separate bowing (one note to a bow) should be played simple detache. Slurred bowing should be played legato, with the whole bow wherever possible. A firm, sonorous tone should be used. Scales and arpeggios should be played at a pace that is consistent with accuracy and distinctness and without undue accentuation. the candidate should aim for a tempo that is compatible with a clean and firm tine, vital rhythm, controlled bowing and good intonation. The fingering given in this publication is considered to be practical but it is not compulsory. Where two fingerings are indicated, that above the notes is usually for starting on the C string, thus ensuring use of the higher positions on the lower strings; that below the notes is usually for starting in position with an alternative fingering provided. When in the first position, either an open string or the fourth finger may be used. Instruments : Alto

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