Film Music Analysis / Frank Lehman 

Public ISBD Titre : Film Music Analysis : Studying the Score Type de document : texte imprimé Auteurs : Frank Lehman, Auteur Editeur : USA : Routledge Année de publication : cop. 2024 Importance : 1 vol. (286 p.) Format : 24 cm ISBN/ISSN/EAN : 978-0-367-43076-4 Prix : 42,00€ Note générale : Since the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory. Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music. Langues : Anglais (eng) Catégories : Analyse d'oeuvres Analyse musicale Musique Musique de film Mots-clés : film music  Film music analysis Note de contenu : Foreword Introduction: Film and Music, Theory and Analysis Frank Lehman 1. Timbre in Film Music – Making Magic through Tone Color : Chelsea Oden 2. “The Click Is Your Friend”: Film Scores and Tempo Analysis : Rebecca M. Doran Eaton 3. Tracking Progressions of Heroic Chord Progressions in Recent Popular Screen Media : Scott Murphy 4. John Williams’ Star Wars Themes: Good vs. Evil Conflicts as a Structural Principal for Leitmotifs : Mark Richards 5. Topic Theory and Film: Coming of Age in 1994’s and 2019’s Little Women : Janet Bourne 6. A Matter of Time: Reality and Fantasy through Metrical Analysis in Contemporary Hollywood Film : Andrew S. Powell 7. Film Music and Dialogic Form : Charity Lofthouse 8. Tonal Analysis of the Integrated Soundtrack: Music, Sound, and Dialogue in Baby Driver : Táhirih Motazedian 9. Analyzing Musical Metamorphoses: Thematic Transformation in Shirley Walker's Batman : Frank Lehman 10. Post-Tonal Theory and Hollywood Scores: Three Analytical Vignettes : Erik Heine 11. Attuning Serialism: David Shire’s Scores for The Taking of Pelham One Two Three, 2010: The Year We Made Contact, and Zodiac : Juan Chattah 12. Romance and the Two Poles of Underscore : James Buhler Notes on Contributors Index En ligne : https://www.routledge.com/Film-Music-Analysis-Studying-the-Score/Lehman/p/book/9 [...] Film Music Analysis : Studying the Score [texte imprimé] / Frank Lehman, Auteur . - USA (New York) : Routledge, cop. 2024 . - 1 vol. (286 p.) ; 24 cm. ISBN : 978-0-367-43076-4 : 42,00€ Since the establishment of film music studies, there has been a steady growth of serious analytical work on the film music repertoire. Film Music Analysis: Studying the Score offers the first collection of essays dedicated to the close investigation of musical structure and meaning in film music. Showcasing scholarship from a diverse and distinguished group of music theorists and musicologists, this book presents the many ways to inspect the inner workings of film music in a manner that is exciting and accessible to anyone curious about this music, regardless of their background in film or music theory. Each chapter takes as its focus one music-theoretical parameter and explores how that concept can be used to analyze and interpret film music. Covering theoretical concepts that range from familiar categories such as leitmotif and pitch structure to more cutting-edge ideas such as timbral associativity, topic theory, and metrical states, the book provides a toolkit with which to explore this captivatingly varied repertoire. With example analyses drawn from classic and contemporary films, Film Music Analysis: Studying the Score is a valuable teaching tool and an indispensable addition to the library of any lover of film and music. Langues : Anglais (eng) Catégories : Analyse d'oeuvres Analyse musicale Musique Musique de film Mots-clés : film music  Film music analysis Note de contenu : Foreword Introduction: Film and Music, Theory and Analysis Frank Lehman 1. Timbre in Film Music – Making Magic through Tone Color : Chelsea Oden 2. “The Click Is Your Friend”: Film Scores and Tempo Analysis : Rebecca M. Doran Eaton 3. Tracking Progressions of Heroic Chord Progressions in Recent Popular Screen Media : Scott Murphy 4. John Williams’ Star Wars Themes: Good vs. Evil Conflicts as a Structural Principal for Leitmotifs : Mark Richards 5. Topic Theory and Film: Coming of Age in 1994’s and 2019’s Little Women : Janet Bourne 6. A Matter of Time: Reality and Fantasy through Metrical Analysis in Contemporary Hollywood Film : Andrew S. Powell 7. Film Music and Dialogic Form : Charity Lofthouse 8. Tonal Analysis of the Integrated Soundtrack: Music, Sound, and Dialogue in Baby Driver : Táhirih Motazedian 9. Analyzing Musical Metamorphoses: Thematic Transformation in Shirley Walker's Batman : Frank Lehman 10. Post-Tonal Theory and Hollywood Scores: Three Analytical Vignettes : Erik Heine 11. Attuning Serialism: David Shire’s Scores for The Taking of Pelham One Two Three, 2010: The Year We Made Contact, and Zodiac : Juan Chattah 12. Romance and the Two Poles of Underscore : James Buhler Notes on Contributors Index En ligne : https://www.routledge.com/Film-Music-Analysis-Studying-the-Score/Lehman/p/book/9 [...]

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Film Music / Kenneth Lampl 

Public ISBD Titre : Film Music : the basics Type de document : texte imprimé Auteurs : Kenneth Lampl, Auteur Editeur : USA : Routledge Année de publication : cop. 2024 Importance : 1 vol. (143 p.) Format : 24 cm ISBN/ISSN/EAN : 978-1-03-226745-6 Prix : 30,00€ Note générale : A comprehensive introduction to film music, this book provides a concise and illuminating summary of the process of film scoring, as well as a succinct overview of the rich history of contemporary film music. Written in a non-technical style, this book begins by presenting a brief history of film music from the last 30 years, covering topics ranging from blockbuster franchises to indie film scores. It explores film music from around the world, including Bollywood and European Avant-garde cinema, and film music in animation, like Disney-Pixar and Japanese anime. It then offers a guide to the language of film music analysis, the creative process behind composing film music, and the use of current technology. The book champions diversity in the industry, with case studies and interviews from a range of active film composers, including: Pinar Toprak (Captain Marvel, 2019), Kris Bowers (Bridgerton, 2020), Natalie Holt (Loki, 2021), and Rachel Portman (Emma, 1996), Complete with a glossary of key terms and further reading, this book is an invaluable resource for all those beginning to study film music, as well as lifelong film music buffs seeking to update their understanding of film music. Langues : Anglais (eng) Catégories : Musique Musique de film Mots-clés : film music  film scoring Note de contenu : 1. The History of Film Music in Hollywood 2. Film Music from Around the World 3. The History of Music for Animation 4. The Language of Film Music 5. The Creative Team 6. The Creative Process 7. Technology and Creativity 8. The Future of Film Scoring: An Introduction to Video Game Music (co-authored by Thomas Connell) 9. The Future of Film Scoring: The Trilogy, the Series and the Franchise 10. New Voices in Film Music: the Interviews 11. Glossary of Terms and Bibliography En ligne : https://www.routledge.com/Film-Music-The-Basics/Lampl/p/book/9781032267456 Film Music : the basics [texte imprimé] / Kenneth Lampl, Auteur . - USA (New York) : Routledge, cop. 2024 . - 1 vol. (143 p.) ; 24 cm. ISBN : 978-1-03-226745-6 : 30,00€ A comprehensive introduction to film music, this book provides a concise and illuminating summary of the process of film scoring, as well as a succinct overview of the rich history of contemporary film music. Written in a non-technical style, this book begins by presenting a brief history of film music from the last 30 years, covering topics ranging from blockbuster franchises to indie film scores. It explores film music from around the world, including Bollywood and European Avant-garde cinema, and film music in animation, like Disney-Pixar and Japanese anime. It then offers a guide to the language of film music analysis, the creative process behind composing film music, and the use of current technology. The book champions diversity in the industry, with case studies and interviews from a range of active film composers, including: Pinar Toprak (Captain Marvel, 2019), Kris Bowers (Bridgerton, 2020), Natalie Holt (Loki, 2021), and Rachel Portman (Emma, 1996), Complete with a glossary of key terms and further reading, this book is an invaluable resource for all those beginning to study film music, as well as lifelong film music buffs seeking to update their understanding of film music. Langues : Anglais (eng) Catégories : Musique Musique de film Mots-clés : film music  film scoring Note de contenu : 1. The History of Film Music in Hollywood 2. Film Music from Around the World 3. The History of Music for Animation 4. The Language of Film Music 5. The Creative Team 6. The Creative Process 7. Technology and Creativity 8. The Future of Film Scoring: An Introduction to Video Game Music (co-authored by Thomas Connell) 9. The Future of Film Scoring: The Trilogy, the Series and the Franchise 10. New Voices in Film Music: the Interviews 11. Glossary of Terms and Bibliography En ligne : https://www.routledge.com/Film-Music-The-Basics/Lampl/p/book/9781032267456

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Scoring the screen / Andy Hill 

Public ISBD Titre : Scoring the screen : The secret language of film music Type de document : texte imprimé Auteurs : Andy Hill, Auteur Editeur : Milwaukee [USA] : Hal Leonard Année de publication : cop. 2017 Importance : 1 vol. (391 p.) Format : 26 cm ISBN/ISSN/EAN : 978-1-495-07373-1 Prix : 53,00€ Note générale : Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music. This is the first book since Roy M. Prendergast s 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): If you have any interest in what music 'means in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today. Langues : Anglais (eng) Catégories : Musique Musique de film Musique et langage Mots-clés : motion picture music En ligne : https://www.amazon.com/Scoring-Screen-Secret-Language-Music/dp/1495073734?asin=1 [...] Scoring the screen : The secret language of film music [texte imprimé] / Andy Hill, Auteur . - Milwaukee (USA) : Hal Leonard, cop. 2017 . - 1 vol. (391 p.) ; 26 cm. ISBN : 978-1-495-07373-1 : 53,00€ Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo, To Kill a Mockingbird, Patton, The Untouchables, or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music. This is the first book since Roy M. Prendergast s 1977 benchmark, Film Music: A Neglected Art, to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language, developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning. To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): If you have any interest in what music 'means in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today. Langues : Anglais (eng) Catégories : Musique Musique de film Musique et langage Mots-clés : motion picture music En ligne : https://www.amazon.com/Scoring-Screen-Secret-Language-Music/dp/1495073734?asin=1 [...]

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