Catalogue en ligne des bibliothèques ARTS²
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/ Gordon Jacob
Titre : | Cello octet | Type de document : | partition musicale imprimée | Auteurs : | Gordon Jacob (1895-1984), Compositeur ; Robert Max, Editeur scientifique | Mention d'édition : | SJ E2007-2 | Editeur : | SJ Music | Année de publication : | cop. 2007 | Collection : | Chamber music series num. E2007-2 | Importance : | 1 partition (16 p.) | Format : | 30 cm | ISBN/ISSN/EAN : | 979-0-7088-0783-4 | Note générale : | An octet for eight cellists – what a sound! And what a great piece to play when eight cellists are in one place – perhaps in the break of an orchestra rehearsal, or on a music course, or even in a sectional rehearsal when the work to be rehearsed has been perfected? This fun piece has good parts for all eight players, and is not very hard, although the 1st cello part goes pretty high sometimes. The history of this piece is that Jacob's Suite for Violas, dedicated to the memory of Lionel Tertis, inspired the noted English cellist and teacher Florence Hooton (1912-1988) to commission, in 1981, this Cello Octet for her students. | Langues : | Anglais (eng) | Catégories : | Ensemble de musique de chambre Violoncelle
| Instruments : | 8 violoncelles |
Cello octet [partition musicale imprimée] / Gordon Jacob (1895-1984), Compositeur ; Robert Max, Editeur scientifique . - SJ E2007-2 . - SJ Music, cop. 2007 . - 1 partition (16 p.) ; 30 cm. - ( Chamber music series; E2007-2) . ISBN : 979-0-7088-0783-4 An octet for eight cellists – what a sound! And what a great piece to play when eight cellists are in one place – perhaps in the break of an orchestra rehearsal, or on a music course, or even in a sectional rehearsal when the work to be rehearsed has been perfected? This fun piece has good parts for all eight players, and is not very hard, although the 1st cello part goes pretty high sometimes. The history of this piece is that Jacob's Suite for Violas, dedicated to the memory of Lionel Tertis, inspired the noted English cellist and teacher Florence Hooton (1912-1988) to commission, in 1981, this Cello Octet for her students. Langues : Anglais ( eng) | |
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/ Carl Davidov
Titre : | Hymn for 10 cellos, 2 basses & timpani | Type de document : | partition musicale imprimée | Auteurs : | Carl Davidov (1838-1889), Compositeur ; Robert Max, Editeur scientifique | Mention d'édition : | SJ E2010-1 | Editeur : | SJ Music | Année de publication : | cop. 2010 | Collection : | Chamber music series num. E2010-1 | Importance : | 13 partitions | Format : | 30 cm | ISBN/ISSN/EAN : | 979-0-7088-0788-9 | Note générale : | Ten cellists, two bassists and a timpanist – what a sound! And what a great piece to play when ten cellists and a couple of bassists are in one place (and a timpanist if possible!) – perhaps in the break of an orchestra rehearsal, or on a music course? This relatively short piece is not hard, and is very rewarding to play. Karl Davidov was a Russian cellist who lived from 1838 to 1889. He was a child prodigy, and was considered the best cellist of his time, touring Europe extensively. Aged just 22 he was appointed professor of cello at Leipzig University. In 1876 he beat off Tchaikovsky to be appointed Director of St. Petersburg Conservertory. | Langues : | Anglais (eng) | Catégories : | Contrebasse Ensemble de musique de chambre Timbales Violoncelle
| Instruments : | 10 violoncelles + 2 contrebasse + 1 timbale |
Hymn for 10 cellos, 2 basses & timpani [partition musicale imprimée] / Carl Davidov (1838-1889), Compositeur ; Robert Max, Editeur scientifique . - SJ E2010-1 . - SJ Music, cop. 2010 . - 13 partitions ; 30 cm. - ( Chamber music series; E2010-1) . ISBN : 979-0-7088-0788-9 Ten cellists, two bassists and a timpanist – what a sound! And what a great piece to play when ten cellists and a couple of bassists are in one place (and a timpanist if possible!) – perhaps in the break of an orchestra rehearsal, or on a music course? This relatively short piece is not hard, and is very rewarding to play. Karl Davidov was a Russian cellist who lived from 1838 to 1889. He was a child prodigy, and was considered the best cellist of his time, touring Europe extensively. Aged just 22 he was appointed professor of cello at Leipzig University. In 1876 he beat off Tchaikovsky to be appointed Director of St. Petersburg Conservertory. Langues : Anglais ( eng) | |
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