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La fida ninfa / Antonio Vivaldi

Public ISBD Titre : La fida ninfa : Reduction for voice and piano - RV 714 Type de document : partition musicale imprimée Auteurs : Antonio Vivaldi (1678-1741), Compositeur ; Marco Bizzarini, Arrangeur ; Alessandro Borin, Arrangeur ; Scipione Agnello Maffei, Librettiste ; Antonio Frigé, Arrangeur ; Michael Talbot, Traducteur Mention d'édition : 140601 Editeur : Milan [Italie] : Ricordi Année de publication : cop. 2013 Collection : Ricordi opera vocal score series Importance : 1 partition (226 p.) Format : 27 cm ISBN/ISSN/EAN : 978-88-7592-952-7 Prix : 27,50€ Note générale : Antonio Vivaldi Opera in 3 acts. Piano and voice reduction based on the critical edition of Marco Bizzarini / Alessandro Borin Preface, introduction and critical comments in Italian and English Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Instruments : Chant opéra La fida ninfa : Reduction for voice and piano - RV 714 [partition musicale imprimée] / Antonio Vivaldi (1678-1741), Compositeur ; Marco Bizzarini, Arrangeur ; Alessandro Borin, Arrangeur ; Scipione Agnello Maffei, Librettiste ; Antonio Frigé, Arrangeur ; Michael Talbot, Traducteur  . -  140601 . - Ricordi, cop. 2013 . - 1 partition (226 p.) ; 27 cm. - (Ricordi opera vocal score series) . ISBN : 978-88-7592-952-7 : 27,50€ Antonio Vivaldi Opera in 3 acts. Piano and voice reduction based on the critical edition of Marco Bizzarini / Alessandro Borin Preface, introduction and critical comments in Italian and English Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Instruments : Chant opéra

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1014365	8-OPE VIV FID	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible

La Gloria E Imeneo / Antonio Vivaldi

Public ISBD Titre : La Gloria E Imeneo : Reduction for voice and piano based on the critical edition - RV 687 Type de document : partition musicale imprimée Auteurs : Antonio Vivaldi (1678-1741), Compositeur ; Alessandro Borin, Arrangeur ; Antonio Frigé, Arrangeur ; Michael Talbot, Traducteur Mention d'édition : 141380 Editeur : Milan [Italie] : Ricordi Année de publication : cop. 2016 Collection : Ricordi opera vocal score series Importance : 1 partition (49 p.) Format : 27 cm ISBN/ISSN/EAN : 979-0-04-141380-8 Prix : 25,70€ Note générale : Ed. critica di Alessandro Borin - Riduzione per canto e pianoforte di A. Frigé introduction and critical comments in Italian and English Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Résumé : The present reduction derives from the critical edition of the score of La Gloria E Imeneo, published in this catalogue. The opera belongs to a group of the so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on theoccasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725. This edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It includes a brief Introduction and a critical apparatus that records all the variants between the autograph score and the secondary collate sources. Instruments : Chant opéra La Gloria E Imeneo : Reduction for voice and piano based on the critical edition - RV 687 [partition musicale imprimée] / Antonio Vivaldi (1678-1741), Compositeur ; Alessandro Borin, Arrangeur ; Antonio Frigé, Arrangeur ; Michael Talbot, Traducteur  . -  141380 . - Ricordi, cop. 2016 . - 1 partition (49 p.) ; 27 cm. - (Ricordi opera vocal score series) . ISBN : 979-0-04-141380-8 : 25,70€ Ed. critica di Alessandro Borin - Riduzione per canto e pianoforte di A. Frigé introduction and critical comments in Italian and English Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Résumé : The present reduction derives from the critical edition of the score of La Gloria E Imeneo, published in this catalogue. The opera belongs to a group of the so-called ‘French serenatas’ by Antonio Vivaldi, namely a series of works composed and performed between the mid-1710s and mid- 1720s of the eighteenth century in celebration of important recurrent and non-recurrent events relating to the Kingdom of France and its diplomatic representatives resident in Italy. This serenata was indeed commissioned from Vivaldi by the French ambassador in Venice, Jacques-Vincent Languet, Count of Gergy, on theoccasion of the wedding of Louis XV to the Polish princess Maria Leszczyska, and was performed during a festa that took place in the ambassador’s garden on the evening of 12 September 1725. This edition is based on the autograph score held by Biblioteca Nazionale Universitaria of Turin. It includes a brief Introduction and a critical apparatus that records all the variants between the autograph score and the secondary collate sources. Instruments : Chant opéra

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Il Teuzzone / Antonio Vivaldi

Public ISBD Titre : Il Teuzzone : Reduction for voice and piano based on the critical edition - RV 736 Type de document : partition musicale imprimée Auteurs : Antonio Vivaldi (1678-1741), Compositeur ; Alessandro Borin, Arrangeur ; Antonio Moccia, Arrangeur ; Michael Talbot, Traducteur Mention d'édition : 140505 Editeur : Milan [Italie] : Ricordi Année de publication : cop. 2021 Collection : Ricordi opera vocal score series Importance : 1 partition (272 p.) Format : 27 cm ISBN/ISSN/EAN : 979-0-04-140505-6 Prix : 54,90€ Note générale : Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte introduction and critical comments in Italian and English Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Résumé : With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the “Red Priest” for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer’s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Fo 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera’s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi’s opera underwent, an operation that sheds light on the inner workings of Vivaldi’s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed. Instruments : Chant opéra Il Teuzzone : Reduction for voice and piano based on the critical edition - RV 736 [partition musicale imprimée] / Antonio Vivaldi (1678-1741), Compositeur ; Alessandro Borin, Arrangeur ; Antonio Moccia, Arrangeur ; Michael Talbot, Traducteur  . -  140505 . - Ricordi, cop. 2021 . - 1 partition (272 p.) ; 27 cm. - (Ricordi opera vocal score series) . ISBN : 979-0-04-140505-6 : 54,90€ Ed. critica A. Borin - A. Moccia - Riduzione per canto e pianoforte introduction and critical comments in Italian and English Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Résumé : With Il Teuzzone, RV 736, the collected edition of operas by Antonio Vivaldi gains a new volume that brings to completion the pair of operas written by the “Red Priest” for Mantua. Premiered during the last days of 1718, the opera preceded by a few months the production of Tito Manlio, RV 738 (PR 1411). This edition of Teuzzone, the first in modern times, is based on the two complete sources to have survived: a copy originating from the composer’s own archive (Biblioteca Nazionale Universitaria di Torino, Raccolta Mauro Fo 33) and the one today housed in Berlin (Staatsbibliothek zu Berlin Preussischer Kulturbesitz, Musikabteilung, N. Mus, ms. 125), which was made for the Mantuan production. Additionally, numerous secondary sources have been collated. An appendix to the volume contains the musical materials discarded by Vivaldi during the period preceding the opera’s premiere. The supporting texts for the edition report on new findings that have emerged from archival and documentary research. It has been established, for instance, that the aria Tu, mio vezzoso (I.03) is a borrowing from Alessandro Severo by Antonio Lotti, while the aria Tornerò, pupille belle (II.02) is a reworking of Nelle mie selve natie, an aria in Scanderbeg, RV 732. These examples reveal the pasticcio-like nature of this Vivaldi opera. In the section concerned with the description of the sources, which includes a meticulous codicological examination of the source in Turin, a bold attempt has been made to reconstruct the phases that the composition of Vivaldi’s opera underwent, an operation that sheds light on the inner workings of Vivaldi’s atelier. In addition, the close relationship of this score to a work with the same title staged in Turin with music by G. Casanova and A. S. Fiorè is analysed. Instruments : Chant opéra

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Serenata a 3 / Antonio Vivaldi

Public ISBD Titre : Serenata a 3 : Reduction for voice and piano based on the critical edition - RV 690 Type de document : partition musicale imprimée Auteurs : Antonio Vivaldi (1678-1741), Compositeur ; Alessandro Borin, Arrangeur ; Michael Talbot, Traducteur Mention d'édition : 141152 Editeur : Milan [Italie] : Ricordi Année de publication : cop. 2014 Collection : Ricordi opera vocal score series Importance : 1 partition (68 p.) Format : 27 cm ISBN/ISSN/EAN : 979-0-04-141152-1 Prix : 26,90€ Note générale : Piano and voice reduction based on the critical edition of the orchestral score by Alessandro Borin, introduction and critical comments in Italian and English Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Résumé : The Serenata a3 RV 690 is the least familiar and in certain respects the most enigmatic of the Vivaldi serenatas that have come down to us. The sole surviving source is the autograph manuscript of the score, preserved at the Biblioteca NazionaleUniversitaria of Turin. On the basis of this meagre information Michael Talbot managed to indentify the subject of the work and to suggest a key to the interpretation of its unusual plot, which transports to an allegorical plane the story of theFrench Jansenist Jean de Tourreil, who was arrested in Italy on the orders of the Holy Office and imprisoned in the Castel Sant Angelo Instruments : Chant opéra Serenata a 3 : Reduction for voice and piano based on the critical edition - RV 690 [partition musicale imprimée] / Antonio Vivaldi (1678-1741), Compositeur ; Alessandro Borin, Arrangeur ; Michael Talbot, Traducteur  . -  141152 . - Ricordi, cop. 2014 . - 1 partition (68 p.) ; 27 cm. - (Ricordi opera vocal score series) . ISBN : 979-0-04-141152-1 : 26,90€ Piano and voice reduction based on the critical edition of the orchestral score by Alessandro Borin, introduction and critical comments in Italian and English Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Résumé : The Serenata a3 RV 690 is the least familiar and in certain respects the most enigmatic of the Vivaldi serenatas that have come down to us. The sole surviving source is the autograph manuscript of the score, preserved at the Biblioteca NazionaleUniversitaria of Turin. On the basis of this meagre information Michael Talbot managed to indentify the subject of the work and to suggest a key to the interpretation of its unusual plot, which transports to an allegorical plane the story of theFrench Jansenist Jean de Tourreil, who was arrested in Italy on the orders of the Holy Office and imprisoned in the Castel Sant Angelo Instruments : Chant opéra

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Tito Manlio / Antonio Vivaldi

Public ISBD Titre : Tito Manlio : Dramma per musica in tre atti - RV 738 Type de document : partition musicale imprimée Auteurs : Antonio Vivaldi (1678-1741), Compositeur ; Matteo Noris, Librettiste ; Alessandro Borin, Editeur scientifique Mention d'édition : 141077 Editeur : Milan [Italie] : Ricordi Année de publication : cop. 2014 Collection : Ricordi opera vocal score series Importance : 1 partition (287 p.) Format : 27 cm ISBN/ISSN/EAN : 978-88-7592-970-1 Prix : 47,70€ Note générale : Reduction for voice and piano based on the critical edition of the orchestral score edited by Alessandro Borin. Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Note de contenu : Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719.Vivaldi set the libretto of La fi da ninfa, a dramma per musica in three acts by Scipione Maffei, with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona, which took place on 6 January 1732, during theCarnival season, elaborate stage sets being provided by Francesco Bibbiena.The critical edition is based on the collation of the two complete manuscripts of the work kept at the National University Library of Turin: the Vivaldi’s autograph and a copy realized by fi ve copyists under the direct control of the composer. Instruments : Chant opéra Tito Manlio : Dramma per musica in tre atti - RV 738 [partition musicale imprimée] / Antonio Vivaldi (1678-1741), Compositeur ; Matteo Noris, Librettiste ; Alessandro Borin, Editeur scientifique  . -  141077 . - Ricordi, cop. 2014 . - 1 partition (287 p.) ; 27 cm. - (Ricordi opera vocal score series) . ISBN : 978-88-7592-970-1 : 47,70€ Reduction for voice and piano based on the critical edition of the orchestral score edited by Alessandro Borin. Langues : Anglais (eng) Italien (ita) Langues originales : Italien (ita) Catégories : Chant Opéra (chant) Piano (réduction) Note de contenu : Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719.Vivaldi set the libretto of La fi da ninfa, a dramma per musica in three acts by Scipione Maffei, with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona, which took place on 6 January 1732, during theCarnival season, elaborate stage sets being provided by Francesco Bibbiena.The critical edition is based on the collation of the two complete manuscripts of the work kept at the National University Library of Turin: the Vivaldi’s autograph and a copy realized by fi ve copyists under the direct control of the composer. Instruments : Chant opéra

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1014342	8-OPE VIV TIT	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible