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L'Allegro, il Penseroso ed il Moderato HWV 55 / Georg Friedrich Handel

Public ISBD Titre : L'Allegro, il Penseroso ed il Moderato HWV 55 : Oratorio in Three Parts Type de document : partition musicale imprimée Auteurs : Georg Friedrich Handel (1651-1730), Compositeur ; Andreas Köhs, Arrangeur Mention d'édition : BA 4023a Editeur : Kassel ; Londres ; New York : Bärenreiter Année de publication : cop. 2005 Collection : Urtext der Hallischen Händel-Ausgabe Importance : 1 partition (190 p.) Format : 27 cm ISBN/ISSN/EAN : 979-0-00-644319-2 Prix : 32,50€ Note générale : Handel’s oratorio L’Allegro , il Penseroso ed il Moderato is based on two poems of 1623 by John Milton. Their main focus draws on merriment, as expressed in the joys of dawn, the hunt, a pastoral idyll and thriving towns, and on melancholy, as felt in the coolness of the nocturnal forest, the song of the nightingale, and the observation of the stars. The librettist, Charles Jennens , contrasts these two antipodes with a third vehicle for the emotions: “ il Moderato”, who sees happiness in the moderation of these two extremes. Unlike his two preceding oratorios “Saul” and “ Israel in Egypt ”, which centered on the dramatic and the epic, here Handel has written a lyric work that gives broad latitude to the musical depiction of nature. The piano reduction, by Andreas Köhs , follows the Urtext of the Halle Handel Edition. - Straightforward and easy-to-play piano reduction - Duration: approx. 120 minutes Langues : Allemand (ger) Anglais (eng) Italien (ita) Catégories : Opéra (chant) Piano (réduction) L'Allegro, il Penseroso ed il Moderato HWV 55 : Oratorio in Three Parts [partition musicale imprimée] / Georg Friedrich Handel (1651-1730), Compositeur ; Andreas Köhs, Arrangeur  . -  BA 4023a . - Bärenreiter, cop. 2005 . - 1 partition (190 p.) ; 27 cm. - (Urtext der Hallischen Händel-Ausgabe) . ISBN : 979-0-00-644319-2 : 32,50€ Handel’s oratorio L’Allegro , il Penseroso ed il Moderato is based on two poems of 1623 by John Milton. Their main focus draws on merriment, as expressed in the joys of dawn, the hunt, a pastoral idyll and thriving towns, and on melancholy, as felt in the coolness of the nocturnal forest, the song of the nightingale, and the observation of the stars. The librettist, Charles Jennens , contrasts these two antipodes with a third vehicle for the emotions: “ il Moderato”, who sees happiness in the moderation of these two extremes. Unlike his two preceding oratorios “Saul” and “ Israel in Egypt ”, which centered on the dramatic and the epic, here Handel has written a lyric work that gives broad latitude to the musical depiction of nature. The piano reduction, by Andreas Köhs , follows the Urtext of the Halle Handel Edition. - Straightforward and easy-to-play piano reduction - Duration: approx. 120 minutes Langues : Allemand (ger) Anglais (eng) Italien (ita) Catégories : Opéra (chant) Piano (réduction)

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1013334	8-OPE HAN ALL	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible

Ottone, Opera in tre atti / Georg Friedrich Handel 

Public ISBD Titre : Ottone, Opera in tre atti : Version of the first performance 1723 Type de document : partition musicale imprimée Auteurs : Georg Friedrich Handel (1651-1730), Compositeur ; Nicola Francesco Haym, Librettiste ; Stefano Benedetto Pallavicini, Auteur ; Andreas Köhs, Arrangeur Mention d'édition : BA 4077a Editeur : Kassel ; Londres ; New York : Bärenreiter Année de publication : cop. 2010 Collection : Händel Bärenreiter Urtext num. HMW 15 ISBN/ISSN/EAN : 979-0-00-653973-4 Note générale : First critical edition based on the Urtext of the Halle Handel Edition Additional numbers from later performances included in the appendix Foreword (Ger/Eng) Handel completed his opera “Ottone” in August 1722, but the first performance did not take place until January 1723 in the Haymarket Theatre, London; the composer had waited so long for the famous soprano Francesca Cuzzoni who he had in mind for the role of Teofane. “Ottone” was an immediate success from the beginning, not only for its top-class cast but also because of its formal and musical structure. It received numerous revivals until 1733. Stylistically, “Ottone” follows in the Neapolitan opera tradition with emotionally charged arias as the principal vehicles of expression, whilst the plot is carried forward in the secco recitatives. The dramatic action is interpreted and intensified through the choice of arias and keys. The vocal score is based on volume II/12 of the “Halle Handel Edition” (BA 4077), which contains the complete critical musical text of the opera for the first time. Langues : Allemand (ger) Anglais (eng) Catégories : Opéra (chant) Piano (réduction) Note de contenu : Ensemble Vorwort/Preface Index of Scenes Ouverture Atto primo / Erster Akt Atto secondo / Zweiter Akt Atto terzo / Dritter Akt En ligne : https://www.stretta-music.ch/fr/haendel-ottone-hwv-15-nr-564545.html Ottone, Opera in tre atti : Version of the first performance 1723 [partition musicale imprimée] / Georg Friedrich Handel (1651-1730), Compositeur ; Nicola Francesco Haym, Librettiste ; Stefano Benedetto Pallavicini, Auteur ; Andreas Köhs, Arrangeur  . -  BA 4077a . - Bärenreiter, cop. 2010. - (Händel Bärenreiter Urtext; HMW 15) . ISBN : 979-0-00-653973-4 First critical edition based on the Urtext of the Halle Handel Edition Additional numbers from later performances included in the appendix Foreword (Ger/Eng) Handel completed his opera “Ottone” in August 1722, but the first performance did not take place until January 1723 in the Haymarket Theatre, London; the composer had waited so long for the famous soprano Francesca Cuzzoni who he had in mind for the role of Teofane. “Ottone” was an immediate success from the beginning, not only for its top-class cast but also because of its formal and musical structure. It received numerous revivals until 1733. Stylistically, “Ottone” follows in the Neapolitan opera tradition with emotionally charged arias as the principal vehicles of expression, whilst the plot is carried forward in the secco recitatives. The dramatic action is interpreted and intensified through the choice of arias and keys. The vocal score is based on volume II/12 of the “Halle Handel Edition” (BA 4077), which contains the complete critical musical text of the opera for the first time. Langues : Allemand (ger) Anglais (eng) Catégories : Opéra (chant) Piano (réduction) Note de contenu : Ensemble Vorwort/Preface Index of Scenes Ouverture Atto primo / Erster Akt Atto secondo / Zweiter Akt Atto terzo / Dritter Akt En ligne : https://www.stretta-music.ch/fr/haendel-ottone-hwv-15-nr-564545.html

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
1014967	8-OPE HAN OTT	Partition musicale	Bibliothèque ARTS². Musique	Partitions musicales	Disponible